Robert Merrill Recital

These recordings, mostly made soon after Merrill’s debut, show his voice at its freshest, while the [song] songs are especially characterful

Record and Artist Details

Composer or Director: (Charles Louis) Ambroise Thomas, Irving Berlin, Charles-François Gounod, Franz Lehár, Jules (Emile Frédéric) Massenet, Traditional, Gioachino Rossini, Ruggiero Leoncavallo, Giuseppe Verdi, Georges Bizet, Victor August Herbert, Oscar Rasbach, Umberto Giordano, Jacques Offenbach, Oley Speaks, Giacomo Meyerbeer

Label: Preiser

Media Format: CD or Download

Media Runtime: 77

Mastering:

ADD

Catalogue Number: 89501

Tracks:

Composition Artist Credit
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: Largo al factotum Gioachino Rossini, Composer
Gioachino Rossini, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
(La) traviata, Movement: ~ Giuseppe Verdi, Composer
Frieder Weissmann, Conductor
Giuseppe Verdi, Composer
RCA Victor Orchestra
Robert Merrill, Baritone
Faust, Movement: ~ Charles-François Gounod, Composer
Charles-François Gounod, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
Hamlet, Movement: O vin, dissipe la tristesse (Brindisi) (Charles Louis) Ambroise Thomas, Composer
(Charles Louis) Ambroise Thomas, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
Hérodiade, Movement: ~ Jules (Emile Frédéric) Massenet, Composer
Jean-Paul Morel, Conductor
Jules (Emile Frédéric) Massenet, Composer
RCA Victor Orchestra
Robert Merrill, Baritone
(L')Africaine, '(The) African Maid', Movement: Adamastor, roi des vagues Giacomo Meyerbeer, Composer
Giacomo Meyerbeer, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
(Les) Contes d'Hoffmann, '(The) Tales of Hoffmann', Movement: ~ Jacques Offenbach, Composer
Jacques Offenbach, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
Carmen, Movement: ~ Georges Bizet, Composer
Erich Leinsdorf, Conductor
Georges Bizet, Composer
RCA Victor Orchestra
Robert Merrill, Baritone
Thaïs, Movement: Te souvient-il Jules (Emile Frédéric) Massenet, Composer
Dorothy Kirsten, Soprano
Jean-Paul Morel, Conductor
Jules (Emile Frédéric) Massenet, Composer
RCA Victor Orchestra
Robert Merrill, Baritone
Andrea Chénier, Movement: ~ Umberto Giordano, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
Umberto Giordano, Composer
Zazà, Movement: Zazà, piccola zingara Ruggiero Leoncavallo, Composer
Jean-Paul Morel, Conductor
RCA Victor Orchestra
Robert Merrill, Baritone
Ruggiero Leoncavallo, Composer
Naughty Marietta, Movement: Ah! sweet mystery of life (Song of the fountain) Victor August Herbert, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Victor August Herbert, Composer
Naughty Marietta, Movement: I'm falling in with some one Victor August Herbert, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Victor August Herbert, Composer
(Das) Land des Lächelns Franz Lehár, Composer
Franz Lehár, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Sylvia Oley Speaks, Composer
Oley Speaks, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Trees Oscar Rasbach, Composer
Oscar Rasbach, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Always Irving Berlin, Composer
Irving Berlin, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Jonah and the Whale Traditional, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Traditional, Composer
Down to the rivah Traditional, Composer
Robert Merrill, Baritone
Russ Case Orchestra
Russell Case, Conductor
Traditional, Composer
This, you might think, is not really Preiser’s territory, being from the States and post-war. Still, all are from 78rpm originals and the singing is fine, so why not? Robert Merrill has a special place in that distinguished line of American baritones represented in early days by Lawrence Tibbett and now pre-eminently by Thomas Hampson. With the smoothest legato line and the most Italianate quality, Merrill was always a joy to hear simply as a singer. In these records, made, most of them, shortly after his debut at the Metropolitan in 1945, the voice is at its freshest. On that occasion he sang Germont pere in La traviata, his ‘Di Provenza’ admired very justly if, as seems likely, it was sung then as it is here.
Admittedly, his expressiveness had limits. In this aria he is gently solicitous, just as in the middle section of Hamlet’s Drinking Song he is mildly sad, and in the rest of it moderately Bacchic. His performances are not eventful, so that the A-B-A form of Valentin’s air in Faust is purely formal, and the complex of emotions within Gerard in Andrea Chenier could hardly be guessed at. Even so, as they used to say at the Met where he played such an equable Scarpia that one critic thought he might join in the applause after Tosca’s ‘Vissi d’arte’, such a voice can compensate for almost anything. Moreover, his singing had its own scrupulous standards. Compare him, say, with Titta Ruffo in arias from L’africaine, Andrea Chenier and Zaza, and there is no doubt that while Ruffo has the character as well as the cavernous resources, it is Merrill, who offers the finer singing-line and the more satisfying note-values.
<The songs bring out more personality, partly because they are sung in his native language but also because he genuinely enjoyed singing popular music. Sylvia and Trees are good examples, and good also in that his style is never cheaply sentimental. The ‘spirituals arranged by MacGimsey’ may not appeal on other grounds, but he sings them with the liveliest relish of all. So we can be grateful to Preiser for looking westwards and congratulate it on some excellent transfers.'

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