Robert Merrill Recital
These recordings, mostly made soon after Merrill’s debut, show his voice at its freshest, while the [song] songs are especially characterful
View record and artist detailsRecord and Artist Details
Composer or Director: (Charles Louis) Ambroise Thomas, Irving Berlin, Charles-François Gounod, Franz Lehár, Jules (Emile Frédéric) Massenet, Traditional, Gioachino Rossini, Ruggiero Leoncavallo, Giuseppe Verdi, Georges Bizet, Victor August Herbert, Oscar Rasbach, Umberto Giordano, Jacques Offenbach, Oley Speaks, Giacomo Meyerbeer
Label: Preiser
Magazine Review Date: 8/2000
Media Format: CD or Download
Media Runtime: 77
Mastering:
ADD
Catalogue Number: 89501

Tracks:
Composition | Artist Credit |
---|---|
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: Largo al factotum |
Gioachino Rossini, Composer
Gioachino Rossini, Composer Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone |
(La) traviata, Movement: ~ |
Giuseppe Verdi, Composer
Frieder Weissmann, Conductor Giuseppe Verdi, Composer RCA Victor Orchestra Robert Merrill, Baritone |
Faust, Movement: ~ |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone |
Hamlet, Movement: O vin, dissipe la tristesse (Brindisi) |
(Charles Louis) Ambroise Thomas, Composer
(Charles Louis) Ambroise Thomas, Composer Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone |
Hérodiade, Movement: ~ |
Jules (Emile Frédéric) Massenet, Composer
Jean-Paul Morel, Conductor Jules (Emile Frédéric) Massenet, Composer RCA Victor Orchestra Robert Merrill, Baritone |
(L')Africaine, '(The) African Maid', Movement: Adamastor, roi des vagues |
Giacomo Meyerbeer, Composer
Giacomo Meyerbeer, Composer Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone |
(Les) Contes d'Hoffmann, '(The) Tales of Hoffmann', Movement: ~ |
Jacques Offenbach, Composer
Jacques Offenbach, Composer Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone |
Carmen, Movement: ~ |
Georges Bizet, Composer
Erich Leinsdorf, Conductor Georges Bizet, Composer RCA Victor Orchestra Robert Merrill, Baritone |
Thaïs, Movement: Te souvient-il |
Jules (Emile Frédéric) Massenet, Composer
Dorothy Kirsten, Soprano Jean-Paul Morel, Conductor Jules (Emile Frédéric) Massenet, Composer RCA Victor Orchestra Robert Merrill, Baritone |
Andrea Chénier, Movement: ~ |
Umberto Giordano, Composer
Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone Umberto Giordano, Composer |
Zazà, Movement: Zazà, piccola zingara |
Ruggiero Leoncavallo, Composer
Jean-Paul Morel, Conductor RCA Victor Orchestra Robert Merrill, Baritone Ruggiero Leoncavallo, Composer |
Naughty Marietta, Movement: Ah! sweet mystery of life (Song of the fountain) |
Victor August Herbert, Composer
Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor Victor August Herbert, Composer |
Naughty Marietta, Movement: I'm falling in with some one |
Victor August Herbert, Composer
Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor Victor August Herbert, Composer |
(Das) Land des Lächelns |
Franz Lehár, Composer
Franz Lehár, Composer Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor |
Sylvia |
Oley Speaks, Composer
Oley Speaks, Composer Robert Merrill, Baritone Russ Case Orchestra |
Trees |
Oscar Rasbach, Composer
Oscar Rasbach, Composer Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor |
Always |
Irving Berlin, Composer
Irving Berlin, Composer Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor |
Jonah and the Whale |
Traditional, Composer
Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor Traditional, Composer |
Down to the rivah |
Traditional, Composer
Robert Merrill, Baritone Russ Case Orchestra Russell Case, Conductor Traditional, Composer |
Author: John Steane
Admittedly, his expressiveness had limits. In this aria he is gently solicitous, just as in the middle section of Hamlet’s Drinking Song he is mildly sad, and in the rest of it moderately Bacchic. His performances are not eventful, so that the A-B-A form of Valentin’s air in Faust is purely formal, and the complex of emotions within Gerard in Andrea Chenier could hardly be guessed at. Even so, as they used to say at the Met where he played such an equable Scarpia that one critic thought he might join in the applause after Tosca’s ‘Vissi d’arte’, such a voice can compensate for almost anything. Moreover, his singing had its own scrupulous standards. Compare him, say, with Titta Ruffo in arias from
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