Richard Strauss: Lieder
View record and artist detailsRecord and Artist Details
Composer or Director: Richard Strauss
Label: Philips
Magazine Review Date: 8/1986
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 416 298-4PH

Tracks:
Composition | Artist Credit |
---|---|
(6) Lieder, Movement: No. 1, Seitdem dein Aug' in meines schaute |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(6) Lieder, Movement: No. 4, Mit deinen blauen Augen (wds. Heine: 1903-0 |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Ich trage meine Minne (wds. K Henckell) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 3, Kling! (wds. Henckell) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 3, Die Nacht |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 7, Die Zeitlose |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 8, Allerseelen |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 2, Winternacht (wds. A F von Schack) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 4, Befreit (wds. Dehmel: orch 1933) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Schlichte Weisen, Movement: No. 2, Du meines Herzens Krönelein |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Schlichte Weisen, Movement: No. 3, Ach Lieb, ich muss nun scheiden |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Kleine Lieder, Movement: No. 5, Schlechtes Wetter (wds. Heine) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(6) Lieder aus Lotusblättern, Movement: No. 4, Wie sollten wir geheim sie halten |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 4, Stiller Gang (wds. Dehmel: 1895) |
Richard Strauss, Composer
Csaba Erdélyi, Viola Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 3, Heimliche Aufforderung (wds. J H Mackay) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Malven |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(3) Lieder, Movement: No. 1, Traum durch die Dämmerung |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Composer or Director: Richard Strauss
Label: Philips
Magazine Review Date: 8/1986
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 416 298-1PH

Tracks:
Composition | Artist Credit |
---|---|
(6) Lieder, Movement: No. 1, Seitdem dein Aug' in meines schaute |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(6) Lieder, Movement: No. 4, Mit deinen blauen Augen (wds. Heine: 1903-0 |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Ich trage meine Minne (wds. K Henckell) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 3, Kling! (wds. Henckell) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 3, Die Nacht |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 7, Die Zeitlose |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 8, Allerseelen |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 2, Winternacht (wds. A F von Schack) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 4, Befreit (wds. Dehmel: orch 1933) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Schlichte Weisen, Movement: No. 2, Du meines Herzens Krönelein |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Schlichte Weisen, Movement: No. 3, Ach Lieb, ich muss nun scheiden |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Kleine Lieder, Movement: No. 5, Schlechtes Wetter (wds. Heine) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(6) Lieder aus Lotusblättern, Movement: No. 4, Wie sollten wir geheim sie halten |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 4, Stiller Gang (wds. Dehmel: 1895) |
Richard Strauss, Composer
Csaba Erdélyi, Viola Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 3, Heimliche Aufforderung (wds. J H Mackay) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Malven |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(3) Lieder, Movement: No. 1, Traum durch die Dämmerung |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Composer or Director: Richard Strauss
Label: Philips
Magazine Review Date: 8/1986
Media Format: CD or Download
Media Runtime: 0
Mastering:
DDD
Catalogue Number: 416 298-2PH

Tracks:
Composition | Artist Credit |
---|---|
(6) Lieder, Movement: No. 1, Seitdem dein Aug' in meines schaute |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(6) Lieder, Movement: No. 4, Mit deinen blauen Augen (wds. Heine: 1903-0 |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 1, Ich trage meine Minne (wds. K Henckell) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 3, Kling! (wds. Henckell) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 3, Die Nacht |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 7, Die Zeitlose |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(8) Lieder aus Letzte Blätter, Movement: No. 8, Allerseelen |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 2, Winternacht (wds. A F von Schack) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Lieder, Movement: No. 4, Befreit (wds. Dehmel: orch 1933) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Schlichte Weisen, Movement: No. 2, Du meines Herzens Krönelein |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Schlichte Weisen, Movement: No. 3, Ach Lieb, ich muss nun scheiden |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(5) Kleine Lieder, Movement: No. 5, Schlechtes Wetter (wds. Heine) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(6) Lieder aus Lotusblättern, Movement: No. 4, Wie sollten wir geheim sie halten |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 4, Stiller Gang (wds. Dehmel: 1895) |
Richard Strauss, Composer
Csaba Erdélyi, Viola Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(4) Lieder, Movement: No. 3, Heimliche Aufforderung (wds. J H Mackay) |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Malven |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
(3) Lieder, Movement: No. 1, Traum durch die Dämmerung |
Richard Strauss, Composer
Geoffrey Parsons, Piano Jessye Norman, Soprano Richard Strauss, Composer |
Author: Alan Blyth
Elsewhere I am less happy with the interpretations. Strauss made clear on the records where he accompanied singers that he wanted his songs to go at a prompt pace. I have been studying closely accounts of several of his most popular songs lately. Allerseelen, in most performances, takes some 2'40''; Norman needs almost a minute longer, which leads to a gluey, almost sentimental reading of a song already full of enough sentiment. Strauss's version of Die Nacht lasts about 2'20''; here it takes almost three minutes and, again, the effect is to exaggerate the feeling of a simple piece. On the other hand, she speeds through the famous Standchen more quickly than any other singer I have come across, making it sound almost hectic. Now tempo isn't of the essence if the artist convinces you that her way is right, but here I become worried by the extremes, which seem a shade unnatural. For quite another reason, going over the top, I found Norman's Schlechtes Wetter unfortunate.
But perhaps I am making too much of the eccentricities. There is a great deal to enjoy here, not least Stiller Gang heard in its original version with viola obbligato and a beautifully shaped Traum durch die Dammerung, where—as often elsewhere in this recital—the singer captures unerringly the mood of a song. Geoffrey Parsons easily encompasses Strauss's often tricky piano parts. The recording is truthful, but CD may avoid the occasional moments of overloading.'
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