Renaissance Music from the Courts of Mantua and Ferrara

Record and Artist Details

Composer or Director: Anonymous, Marchetto Cara, Diomedes Cato, Bartolomeo Tromboncino, Marcantonio Romano

Label: Chandos

Media Format: CD or Download

Media Runtime: 55

Mastering:

DDD

Catalogue Number: CHAN8333

Tracks:

Composition Artist Credit
Mal un muta Marchetto Cara, Composer
Circa 1500
Marchetto Cara, Composer
Bona dies, bona sera Marchetto Cara, Composer
Circa 1500
Marchetto Cara, Composer
O mia cieca de dura sorte Marchetto Cara, Composer
Circa 1500
Marchetto Cara, Composer
Aimè ch'io moro Marchetto Cara, Composer
Circa 1500
Marchetto Cara, Composer
Hor vendut'ho la speranza Marchetto Cara, Composer
Circa 1500
Marchetto Cara, Composer
Vale diva Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer
Circa 1500
Poi che volse Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer
Circa 1500
Virginia bella Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer
Circa 1500
Ostinato vo'sequire Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer
Circa 1500
Dolores mortis Diomedes Cato, Composer
Circa 1500
Diomedes Cato, Composer
Cantus cum tenor Marcantonio Romano, Composer
Circa 1500
Marcantonio Romano, Composer
Baxela un tratto Anonymous, Composer
Anonymous, Composer
Circa 1500
Se mai per maraveglia Anonymous, Composer
Anonymous, Composer
Circa 1500
(El) Marchese di Salluzzo Anonymous, Composer
Anonymous, Composer
Circa 1500
Chiu dicese non l'amare Anonymous, Composer
Anonymous, Composer
Circa 1500
Cornetta Anonymous, Composer
Anonymous, Composer
Circa 1500
Having greatly enjoyed this issue on LP and cassette, I'm delighted to find that it has also been made available on CD. This is certainly the most attractive format of the three, not only because it allows easy access to the many short tracks but also because the sound is just that little bit more vivid, with the individual personalities of the instruments a touch enhanced. Hearing the performances again strengthens my admiration for the musicianship of the group, and especially the imaginative singing of Emily van Evera.'

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