Renaissance Music from the Courts of Mantua and Ferrara
View record and artist detailsRecord and Artist Details
Composer or Director: Anonymous, Marchetto Cara, Diomedes Cato, Bartolomeo Tromboncino, Marcantonio Romano
Label: Chandos
Magazine Review Date: 2/1985
Media Format: CD or Download
Media Runtime: 55
Mastering:
DDD
Catalogue Number: CHAN8333

Tracks:
Composition | Artist Credit |
---|---|
Mal un muta |
Marchetto Cara, Composer
Circa 1500 Marchetto Cara, Composer |
Bona dies, bona sera |
Marchetto Cara, Composer
Circa 1500 Marchetto Cara, Composer |
O mia cieca de dura sorte |
Marchetto Cara, Composer
Circa 1500 Marchetto Cara, Composer |
Aimè ch'io moro |
Marchetto Cara, Composer
Circa 1500 Marchetto Cara, Composer |
Hor vendut'ho la speranza |
Marchetto Cara, Composer
Circa 1500 Marchetto Cara, Composer |
Vale diva |
Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer Circa 1500 |
Poi che volse |
Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer Circa 1500 |
Virginia bella |
Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer Circa 1500 |
Ostinato vo'sequire |
Bartolomeo Tromboncino, Composer
Bartolomeo Tromboncino, Composer Circa 1500 |
Dolores mortis |
Diomedes Cato, Composer
Circa 1500 Diomedes Cato, Composer |
Cantus cum tenor |
Marcantonio Romano, Composer
Circa 1500 Marcantonio Romano, Composer |
Baxela un tratto |
Anonymous, Composer
Anonymous, Composer Circa 1500 |
Se mai per maraveglia |
Anonymous, Composer
Anonymous, Composer Circa 1500 |
(El) Marchese di Salluzzo |
Anonymous, Composer
Anonymous, Composer Circa 1500 |
Chiu dicese non l'amare |
Anonymous, Composer
Anonymous, Composer Circa 1500 |
Cornetta |
Anonymous, Composer
Anonymous, Composer Circa 1500 |
Author:
Having greatly enjoyed this issue on LP and cassette, I'm delighted to find that it has also been made available on CD. This is certainly the most attractive format of the three, not only because it allows easy access to the many short tracks but also because the sound is just that little bit more vivid, with the individual personalities of the instruments a touch enhanced. Hearing the performances again strengthens my admiration for the musicianship of the group, and especially the imaginative singing of Emily van Evera.'
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