Prokofiev - Piano Works and Transcriptions
An essay in Viennese contrasts, persuasively played, but interleaving works that are probably best kept separate
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Schubert, Arnold Schoenberg
Label: ECM New Series
Magazine Review Date: 1/2000
Media Format: CD or Download
Media Runtime: 64
Mastering:
DDD
Catalogue Number: 465 136-2
Tracks:
Composition | Artist Credit |
---|---|
(3) Klavierstücke |
Arnold Schoenberg, Composer
Arnold Schoenberg, Composer Thomas Larcher, Piano |
(6) Klavierstücke |
Arnold Schoenberg, Composer
Arnold Schoenberg, Composer Thomas Larcher, Piano |
Allegretto |
Franz Schubert, Composer
Franz Schubert, Composer Thomas Larcher, Piano |
Composer or Director: Johann Pachelbel
Label: Centaur
Magazine Review Date: 1/2000
Media Format: CD or Download
Media Runtime: 58
Mastering:
DDD
Catalogue Number: CRC2418
Tracks:
Composition | Artist Credit |
---|---|
Toccata and Fugue |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
Allein Gott zu dir, Herr Jesu Christ |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
Allein Gott in der Höe sei Ehr |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
Ciacona |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
Alle Menschen müssen sterben |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
(95) Fugues on the Magnificat, Movement: Magnificat octavi toni in G (13 fugues) |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
Ricercar |
Johann Pachelbel, Composer
Johann Pachelbel, Composer Joseph Payne, Organ |
Label: Claves
Magazine Review Date: 1/2000
Media Format: CD or Download
Media Runtime: 76
Mastering:
DDD
Catalogue Number: 50 9904
Composer or Director: Jeremy Filsell, Sebastian Wolff
Label: Herald
Magazine Review Date: 1/2000
Media Format: CD or Download
Media Runtime: 63
Mastering:
DDD
Catalogue Number: HAVPCD229
Tracks:
Composition | Artist Credit |
---|---|
(19) Organ Works, Movement: Fantasia and Fugue in D |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Advent Chorale |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Prelude: O come, O come Emmanuel |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Trio: Lo, he comes with clouds descending |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Prelude on the Somerset Carol |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Chorale Partita: Unto us is born a Son |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Chorale on a melody by Orlando Gibbons |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Prelude: Our Father, which art in heaven |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Nocturne |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Prelude: Come, Holy Ghost |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Prelude: Most ancient of all mysteries |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Processional |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Adagio and Fugue on Liebster Immanuel |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Chorale: O Sacred Head sore wounded |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Fanfare for Easter Day |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Processional: Jesis Christ is risen today |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Trio: At the Lamb's high feast |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Chorale Partita: Christ the Lord is risen again |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
(19) Organ Works, Movement: Carillon (Hommage à Mulet et Vierne) |
Sebastian Wolff, Composer
Jeremy Filsell, Composer Sebastian Wolff, Composer |
Composer or Director: Sergey Prokofiev
Label: CdM Russian Season
Magazine Review Date: 1/2000
Media Format: CD or Download
Media Runtime: 75
Mastering:
DDD
Catalogue Number: RUS288161
Tracks:
Composition | Artist Credit |
---|---|
Sonata for Piano No. 2 |
Sergey Prokofiev, Composer
Alexander Guindin, Piano Sergey Prokofiev, Composer |
(10) Pieces from Romeo and Juliet |
Sergey Prokofiev, Composer
Alexander Guindin, Piano Sergey Prokofiev, Composer |
March and Scherzo from The Love for Three Oranges |
Sergey Prokofiev, Composer
Alexander Guindin, Piano Sergey Prokofiev, Composer |
Waltz |
Sergey Prokofiev, Composer
Alexander Guindin, Piano Sergey Prokofiev, Composer |
Fantasia Improvisation on themes from Rimsky-Korsa |
Sergey Prokofiev, Composer
Alexander Guindin, Piano Sergey Prokofiev, Composer |
Author: Arnold Whittall
In terms of minutes, there is almost twice as much Schubert as Schoenberg, and Schubert's leisurely transitions and literal da capos (in the second D946 piece, in particular) certainly stand out. Thomas Larcher is a sensitive player, the recorded sound has excellent presence and definition, and although he risks overdoing the more reflective aspects of Schoenberg's music in places (especially in Op. 11 No. 1), perhaps in order to suggest a degree of shared poetic tone with Schubert, the programme as a whole scarcely makes out a cast-iron case for significant common ground.
The most questionable feature of the disc is the decision to alternate the three Op. 11 pieces with the D946 pieces - though with Nos. 2 and 3 of D946 coming between Nos. 2 and 3 of Op. 11: we then have Schoenberg Op. 19 complete, and the relatively brief D915 to conclude. Obviously, if you insist on separation, you can programme your listening accordingly, and I suspect that, for repeated hearing, separation will prove more appealing than alternation.'
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