Parsons First Great Service

A useful recital gives a broader view of the composer of the famous Ave Maria

Record and Artist Details

Composer or Director: Robert I Parsons

Genre:

Vocal

Label: Naxos

Media Format: CD or Download

Media Runtime: 70

Mastering:

Stereo
DDD

Catalogue Number: 8570451

Tracks:

Composition Artist Credit
Magnificat Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
(The) First, or Great Service, Movement: Venite Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
(The) First, or Great Service, Movement: Te Deum Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
Responds for the Dead, Movement: Peccantem me, quotidie Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
(The) First, or Great Service, Movement: Benedictus Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
Responds for the Dead, Movement: Libera me, Domine Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
(The) First, or Great Service, Movement: Kyrie - Credo Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
Responds for the Dead, Movement: Credo quod redemptor Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
(The) First, or Great Service, Movement: Magnificat Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
(The) First, or Great Service, Movement: Nunc dimittis Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
Ave Maria Robert I Parsons, Composer
Barnaby Smith, Conductor
Robert I Parsons, Composer
Voces Cantabiles
Robert Parsons is doubtless best known for his Ave Maria, which has been widely anthologised; it concludes this recital, which boasts several other Latin works including Parsons’s most ambitious, the Magnificat. But this recording is mostly taken up with his First Great Service, conceived as a memorial to the composer as it might have been conducted by White’s colleagues at the Chapel Royal following his tragic death by drowning in 1572. The alternation of English and Latin works well as a programme, and the recorded ambience for the Great Service immediately puts one reassuringly in mind of just such a liturgical event, of a winter’s evening, perhaps, with cold weather and darkness without. But it also shows this choir’s greater security in the English repertory than in the Latin. The Magnificat, which opens the disc, is an ambitious work in the post-Eton Choirbook vein, whose stratospherically high treble part audibly strains the sopranos. The other motets are more subdued affairs, in keeping with the occasion portrayed, but even so I find the tone overly reverent, the tempi a touch too slow. The Ave Maria is the best-known casualty; the Libera me is nicely shaped, if a little over-emphatic at times. Technically, then, this is not quite top-drawer, but at its best (as in the Great Service) it rehabilitates a composer who deserves at least this much.

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