Pärt; Palestrina Missa Papae Marcelli
Pärt adds dimensions to Palestrina’s Papal Mass
View record and artist detailsRecord and Artist Details
Composer or Director: Arvo Pärt, Giovanni Palestrina
Genre:
Vocal
Label: Globe
Magazine Review Date: 1/2012
Media Format: CD or Download
Media Runtime: 79
Mastering:
Stereo
DDD
Catalogue Number: GLO5240
Tracks:
Composition | Artist Credit |
---|---|
Missa Papae Marcelli, Movement: Kyrie |
Giovanni Palestrina, Composer
Giovanni Palestrina, Composer Netherlands Chamber Choir Risto Joost, Conductor |
(The) Woman with the Alabaster Box |
Arvo Pärt, Composer
Arvo Pärt, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Missa Papae Marcelli, Movement: Gloria |
Giovanni Palestrina, Composer
Giovanni Palestrina, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Tribute to Caesar |
Arvo Pärt, Composer
Arvo Pärt, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Missa Papae Marcelli, Movement: Credo |
Giovanni Palestrina, Composer
Giovanni Palestrina, Composer Netherlands Chamber Choir Risto Joost, Conductor |
I Am the True Vine |
Arvo Pärt, Composer
Arvo Pärt, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Missa Papae Marcelli, Movement: Sanctus/Benedictus |
Giovanni Palestrina, Composer
Giovanni Palestrina, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Most Holy Mother of God |
Arvo Pärt, Composer
Arvo Pärt, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Missa Papae Marcelli, Movement: Agnus Dei I & II |
Giovanni Palestrina, Composer
Giovanni Palestrina, Composer Netherlands Chamber Choir Risto Joost, Conductor |
Missa Papae Marcelli |
Giovanni Palestrina, Composer
Giovanni Palestrina, Composer |
Author: Marc Rochester
On the grounds that you can’t have too much of a good thing, I find no cause for complaint at this opportunity to hear the Palestrina twice in one sitting. Certainly Risto Joost lets the music unfold with sumptuous expansiveness, the polyphonic lines gracefully revealing themselves in Globe’s opulent recording made in Amsterdam’s Waalse Kerk. The singers, all 20 of them, produce a rich and wonderfully balanced sound, marvellous depth in the basses and a delectable fluidity in the sopranos. Truly this is a choir of great distinction.
The logic of interpolating the Pärt pieces is fully explained in a nicely designed booklet but I have to confess that when we first move from the Palestrina Kyrie to The Woman with the Alabaster Box, settings of words from Matthew’s Gospel concerning the disciples’ anger at the apparent profligacy of a woman who poured expensive ointment over Christ’s feet only to experience themselves the gentle rebuke of Christ, one wonders whether it was such a good idea; it seems almost as if Pärt is offering up a very pale imitation of Palestrina. But as the piece expands and those magical Pärtisms emerge, it all begins to make sense and, while it neither adds to nor subtracts from the inherent beauty of the Palestrina, given these exceptional performances, the disc certainly adds a new dimension to this oft-recorded staple of the repertory.
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