Orchestral works by Bridge, Bantock and Butterworth
View record and artist detailsRecord and Artist Details
Composer or Director: George (Sainton Kaye) Butterworth, Frank Bridge, Granville Bantock
Label: Chandos
Magazine Review Date: 7/1984
Media Format: Cassette
Media Runtime: 0
Mastering:
ADD
Catalogue Number: CBT1018
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Tracks:
Composition | Artist Credit |
---|---|
(The) Pierrot of the Minute |
Granville Bantock, Composer
Bournemouth Sinfonietta Granville Bantock, Composer Norman Del Mar, Conductor |
Summer |
Frank Bridge, Composer
Bournemouth Sinfonietta Frank Bridge, Composer Norman Del Mar, Conductor |
There is a willow grows aslant a brook |
Frank Bridge, Composer
Bournemouth Sinfonietta Frank Bridge, Composer Norman Del Mar, Conductor |
Suite |
Frank Bridge, Composer
Bournemouth Sinfonietta Frank Bridge, Composer Norman Del Mar, Conductor |
(The) Banks of Green Willow |
George (Sainton Kaye) Butterworth, Composer
Bournemouth Sinfonietta George (Sainton Kaye) Butterworth, Composer Norman Del Mar, Conductor |
Composer or Director: George (Sainton Kaye) Butterworth, Frank Bridge, Granville Bantock
Label: Chandos
Magazine Review Date: 7/1984
Media Format: Vinyl
Media Runtime: 0
Mastering:
ADD
Catalogue Number: CBR1018
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Tracks:
Composition | Artist Credit |
---|---|
(The) Pierrot of the Minute |
Granville Bantock, Composer
Bournemouth Sinfonietta Granville Bantock, Composer Norman Del Mar, Conductor |
Summer |
Frank Bridge, Composer
Bournemouth Sinfonietta Frank Bridge, Composer Norman Del Mar, Conductor |
There is a willow grows aslant a brook |
Frank Bridge, Composer
Bournemouth Sinfonietta Frank Bridge, Composer Norman Del Mar, Conductor |
Suite |
Frank Bridge, Composer
Bournemouth Sinfonietta Frank Bridge, Composer Norman Del Mar, Conductor |
(The) Banks of Green Willow |
George (Sainton Kaye) Butterworth, Composer
Bournemouth Sinfonietta George (Sainton Kaye) Butterworth, Composer Norman Del Mar, Conductor |
Author:
About the other composers on the record I would only say that the Butterworth seems to me to be over-recorded these days, for its content is very slight (it has nothing like the quality of his A Shropshire Lad rhapsody), while the Bantock overture is underrated. The many solos in this piece and its remarkably brilliant scoring show the quality of the digital re-mastering very well, though on reflection (and further hearing of these LPs) tuttis often have a slightly synthetic quality.'
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