Nobuyuki Tsujii Live at Carnegie Hall
Van Cliburn medalist Tsujii’s Carnegie Hall recital on DVD
View record and artist detailsRecord and Artist Details
Composer or Director: Fryderyk Chopin, Franz Liszt, John Musto, Ludwig van Beethoven, Stephen Collins Foster, Modest Mussorgsky
Genre:
Instrumental
Label: Euroarts
Magazine Review Date: 11/2012
Media Format: Digital Versatile Disc
Media Runtime: 97
Mastering:
Stereo
DDD
Catalogue Number: 205 9088
Tracks:
Composition | Artist Credit |
---|---|
Improvisation and Fugue |
John Musto, Composer
John Musto, Composer Nobuyuki Tsujii, Musician, Piano |
Sonata for Piano No. 17, 'Tempest' |
Ludwig van Beethoven, Composer
Ludwig van Beethoven, Composer Nobuyuki Tsujii, Musician, Piano |
(3) Concert Studies, Movement: No. 3, Un sospiro |
Franz Liszt, Composer
Franz Liszt, Composer Nobuyuki Tsujii, Musician, Piano |
Rigoletto (Verdi) Paraphrase |
Franz Liszt, Composer
Franz Liszt, Composer Nobuyuki Tsujii, Musician, Piano |
Pictures at an Exhibition |
Modest Mussorgsky, Composer
Modest Mussorgsky, Composer Nobuyuki Tsujii, Musician, Piano |
Jeanie with the light brown hair |
Stephen Collins Foster, Composer
Nobuyuki Tsujii, Musician, Piano Stephen Collins Foster, Composer |
(26) Preludes, Movement: No. 15 in D flat (Raindrop) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Nobuyuki Tsujii, Musician, Piano |
Elegy for the Victims of the Earthquake and Tsunami of March 11, 2011 |
Nobuyuki Tsujii
Nobuyuki Tsujii, Musician, Piano Nobuyuki Tsujii, Composer |
Author: Jeremy Nicholas
Peter Rosen deftly sets the scene as the audience take their seats for Tsujii’s Carnegie Hall debut, the pianist waiting anxiously in the wings before being led onstage. His trousers are slightly too short as he bows. He looks achingly vulnerable. Then – astonishment as he opens with John Musto’s Improvisation and Fugue, a test piece specially composed for the Van Cliburn Competition and now something of a Tsujii signature piece. It’s a tremendously effective concert work with its motoric rhythms and Kapustin-like figurations.
I liked his firmly projected Tempest Sonata with its comparatively brisk Adagio (but no lack of dynamic shading), and his masterly handling of Liszt’s ‘Un sospiro’ and Rigoletto Paraphrase with its treacherous right-hand leaps. After the interval he gives us Mussorgsky’s Pictures more accurately and lucidly than most of his peers, though the performance has more than a hint of reproduction rather than true spontaneity. No matter. The encores, slightly disappointing, include two of Tsujii’s own jejune compositions. But don’t stop watching after the final one. Something happens that will have you reaching for the tissues. I won’t spoil it. You’ll have to experience this extraordinary recital yourself.
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