Mozart Keyboard Works
View record and artist detailsRecord and Artist Details
Composer or Director: Wolfgang Amadeus Mozart
Label: EMI
Magazine Review Date: 10/1986
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL270382-1
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Tracks:
Composition | Artist Credit |
---|---|
Fantasia |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Rondo |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Minuet |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Adagio |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Gigue |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Allegro |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Keyboard Piece |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Composer or Director: Wolfgang Amadeus Mozart
Label: EMI
Magazine Review Date: 10/1986
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL270382-4
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Tracks:
Composition | Artist Credit |
---|---|
Fantasia |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Rondo |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Minuet |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Adagio |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Gigue |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Allegro |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Keyboard Piece |
Wolfgang Amadeus Mozart, Composer
Daniel Barenboim, Piano Wolfgang Amadeus Mozart, Composer |
Author: David Fallows
The B minor
The D major Rondo, a miniature masterpiece if ever there was one, shows Barenboim's structural awareness and strong fingerwork at their finest—tempting to see evidence of the conductor's long-range perception being applied here. Much of the D minor Fantasia is just as fine, although the final allegretto lacks the hearteasing warmth which justifies its curious appearance and its rhythmical unsteadiness is not really excused by the context of improvisatory fantasy. This piece also suffers from the one persistent blemish of the whole recital, namely serious over-pedalling in an already seriously over-resonant acoustic. This more than anything else qualifies what would otherwise be a warm welcome for these perceptive large-scale interpretations.'
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