Moderne. Lyonnese "Fricassées"
View record and artist detailsRecord and Artist Details
Composer or Director: Jacques Moderne, Francesco Bianchini, Roquelay, Francesco de Layolle
Label: Astrée
Magazine Review Date: 1/1997
Media Format: CD or Download
Media Runtime: 70
Mastering:
DDD
Catalogue Number: E8567
Tracks:
| Composition | Artist Credit |
|---|---|
| Musicque de joye, Movement: PAVANES: |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Musicque de joye, Movement: BASSE DANCES: |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Musicque de joye, Movement: En venant de Lyon |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Musicque de joye, Movement: Ricercar 24 (Gabriel Costa) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Doulce mémoire (Pierre Sandrin) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: La fille qui n'a point d'ami (Francesco de Layolle |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Plaindre l'ennuy (Nicole des Celliers d'Hesdin) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Tristesse, ennuy, douleur, mélancolye (Pierre de |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Si les oiseaux (Gabriel Coste) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Elle est d'andouille friande (Pierre Cléreau) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Prête moi l'un de tes yeux (Pierre de Villiers) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: En lieu du bien (François de Lys) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Le jeu m'ennuye, jouez m'amie (Henry Fresneau) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Plus oultre j'ai voulu marcher (Lupi) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Je n'oserois le penser (Pierre de Villiers) |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Montez soubdain que la beste ne rue (Henry Fresnea |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| (Le) Parangon des Chansons, Movement: Le veoir, louyr, le parler, l'attoucher (Pierre de |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Cinquanta canzoni, Movement: Alma felice e lieta: per la morte di M Francesco d(Anon) |
Francesco de Layolle, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Francesco de Layolle, Composer |
| Cinquanta canzoni, Movement: Lassare il velo |
Francesco de Layolle, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Francesco de Layolle, Composer |
| Anonymous Dances, Movement: Tourdion, 'En lieu du bien' |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Anonymous Dances, Movement: Passamezze et gaillarde |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Anonymous Dances, Movement: Gaillarde, 'Je n'oserois' |
Jacques Moderne, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Jacques Moderne, Composer |
| Ta bonne grace |
Roquelay, Composer
Roquelay, Composer Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire |
| Pavane La Milanese |
Francesco Bianchini, Composer
Denis Raisin-Dadre, Flute Ensemble Doulce Mémoire Francesco Bianchini, Composer |
Author: Fabrice Fitch
Jacques Moderne was not a composer, but one of the most successful and influential music printers of the sixteenth century. He established himself in Lyons in 1523, and began publishing a few years later. Over the next 30 years, at least 60 publications appeared under his imprint, covering all the musical genres of the period, both sacred and secular. This recording concentrates on the latter, particularly the chanson and instrumental dance music. We have here some of the century’s most famous tunes, including the song by Pierre Sandrin whose name the Ensemble Doulce Memoire have taken as their own.
This recording differs from those of other ensembles in its greater emphasis on instrumental participation, using wind instruments (the so-called haulte musique or musica alta) and percussion. The dance pieces are often based on songs that achieved real popularity, such as the Pavane on Janequin’s La bataille. It is easy to appreciate the commercial motivation for such re-workings, and to admire the skill with which they have been carried out. That skill extends to the performances themselves, whether sung or played (there is a delightfully reedy-sounding doucaine on track 19). It should be noted that the two are kept largely separate, with the exception of the rollicking finale, En revenant de Lyon. The only possible quibble might be that pavans and galliards are also kept separate, whereas these two contrasted dances were intended to follow one another.
Nevertheless, a warm welcome for this addition (with a refreshing slant) to a repertory that is increasingly well served. Finally, I note that the text ofElle est d’andouille friande (“She is partial to a nice sausage”) is not provided. Could this be censorship? I hope not.'
This recording differs from those of other ensembles in its greater emphasis on instrumental participation, using wind instruments (the so-called haulte musique or musica alta) and percussion. The dance pieces are often based on songs that achieved real popularity, such as the Pavane on Janequin’s La bataille. It is easy to appreciate the commercial motivation for such re-workings, and to admire the skill with which they have been carried out. That skill extends to the performances themselves, whether sung or played (there is a delightfully reedy-sounding doucaine on track 19). It should be noted that the two are kept largely separate, with the exception of the rollicking finale, En revenant de Lyon. The only possible quibble might be that pavans and galliards are also kept separate, whereas these two contrasted dances were intended to follow one another.
Nevertheless, a warm welcome for this addition (with a refreshing slant) to a repertory that is increasingly well served. Finally, I note that the text of
Moderne. Lyonnese "Fricassées"
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