Mixed Doubles: Double Concertos by Manduell and Crosse
View record and artist detailsRecord and Artist Details
Composer or Director: Gordon Crosse, John Turner, John Manduell, Michael Cox
Genre:
Orchestral
Label: Metier Sound & Vision
Magazine Review Date: 01/2014
Media Format: CD or Download
Media Runtime: 98
Mastering:
DDD
Catalogue Number: MSV77201
Tracks:
Composition | Artist Credit |
---|---|
Brief Encounter for Oboe d'amore, Recorder and Strings |
Gordon Crosse, Composer
Gordon Crosse, Composer John Turner, Composer Manchester Sinfonia Richard Simpson, Oboe d amore Timothy Reynish, Conductor |
Concerto for Viola and Strings with French Horn |
Gordon Crosse, Composer
Gordon Crosse, Composer Manchester Sinfonia Matthew Jones, Viola Timothy Reynish, Conductor |
Fantasia on 'Ca' the Yowes' for Recorder, Harp and Strings |
Gordon Crosse, Composer
Gordon Crosse, Composer John Turner, Composer Manchester Sinfonia Timothy Reynish, Conductor |
Flutes Concerto for Flautist, Harp, Strings and Percussion |
John Manduell, Composer
John Manduell, Composer Manchester Sinfonia Michael Cox, Composer Timothy Reynish, Conductor |
Double Concerto for Oboe, Cor anglais and Strings |
John Manduell, Composer
Alison Teale, Cor anglais John Manduell, Composer Manchester Sinfonia Richard Simpson, Oboe Timothy Reynish, Conductor |
Author: Andrew Achenbach
Disc 2 is devoted to music by Johannesburg-born Sir John Manduell (b1928), a tireless administrator (he distinguished himself at the BBC before being appointed the founding principal of the RNCM in 1971) and, on the evidence provided here, an accomplished composer in his own right. Commissioned by Kent Nagano for the Berkeley Symphony and premiered in January 2003, the Flutes Concerto proves a notable discovery, the solo writing for flute, alto flute and piccolo conspicuously grateful and idiomatic. Just as impressive is the Double Concerto: a BBC commission for the 1985 Cardiff Festival, it originally incorporated parts for a Chinese flute (dizi) and single-stringed viol (erhu), and has since been reworked by Manduell for oboe and cor anglais.
Apart from a slight element of strain in the Crosse Fantasia, all the performances under Timothy Reynish’s clear-headed direction are sympathetic, and the sound is first-class throughout. Well worth hunting down.
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