Mixed Doubles: Double Concertos by Manduell and Crosse

Record and Artist Details

Composer or Director: Gordon Crosse, John Turner, John Manduell, Michael Cox

Genre:

Orchestral

Label: Metier Sound & Vision

Media Format: CD or Download

Media Runtime: 98

Mastering:

DDD

Catalogue Number: MSV77201

MSV77201. Mixed Doubles: Double Concertos by Manduell and Crosse

Tracks:

Composition Artist Credit
Brief Encounter for Oboe d'amore, Recorder and Strings Gordon Crosse, Composer
Gordon Crosse, Composer
John Turner, Composer
Manchester Sinfonia
Richard Simpson, Oboe d amore
Timothy Reynish, Conductor
Concerto for Viola and Strings with French Horn Gordon Crosse, Composer
Gordon Crosse, Composer
Manchester Sinfonia
Matthew Jones, Viola
Timothy Reynish, Conductor
Fantasia on 'Ca' the Yowes' for Recorder, Harp and Strings Gordon Crosse, Composer
Gordon Crosse, Composer
John Turner, Composer
Manchester Sinfonia
Timothy Reynish, Conductor
Flutes Concerto for Flautist, Harp, Strings and Percussion John Manduell, Composer
John Manduell, Composer
Manchester Sinfonia
Michael Cox, Composer
Timothy Reynish, Conductor
Double Concerto for Oboe, Cor anglais and Strings John Manduell, Composer
Alison Teale, Cor anglais
John Manduell, Composer
Manchester Sinfonia
Richard Simpson, Oboe
Timothy Reynish, Conductor
All three works by the Lancastrian Gordon Crosse (b1937) on this enterprising release were penned during the summer and autumn of 2009 (‘the most exciting and productive year I have ever experienced’, to quote composer’s own booklet-notes). Crosse justly won acclaim for his large-scale Changes: A Nocturnal Cycle (1966), one-act opera Purgatory (1966) and dazzling concertante for oboe and 12 players, Ariadne (1974). Between 1990 and 2008, he elected to take a break from composition, though he never stopped scribbling down ideas. These, along with material from a concerto for trumpet dating from 1986, were eventually salvaged for the present Viola Concerto, an immensely likeable 22-minute offering of striking substance, canny resourcefulness and communicative flair. Both Brief Encounter (which contains much touching interplay between the oboe d’amore and recorder soloists) and the Fantasia on ‘Ca’ the yowes’ (originally featuring flute and clarsach, here replaced by recorder and harp) likewise reveal a discerning and imaginative voice. It’s certainly good to have Crosse back and writing again.

Disc 2 is devoted to music by Johannesburg-born Sir John Manduell (b1928), a tireless administrator (he distinguished himself at the BBC before being appointed the founding principal of the RNCM in 1971) and, on the evidence provided here, an accomplished composer in his own right. Commissioned by Kent Nagano for the Berkeley Symphony and premiered in January 2003, the Flutes Concerto proves a notable discovery, the solo writing for flute, alto flute and piccolo conspicuously grateful and idiomatic. Just as impressive is the Double Concerto: a BBC commission for the 1985 Cardiff Festival, it originally incorporated parts for a Chinese flute (dizi) and single-stringed viol (erhu), and has since been reworked by Manduell for oboe and cor anglais.

Apart from a slight element of strain in the Crosse Fantasia, all the performances under Timothy Reynish’s clear-headed direction are sympathetic, and the sound is first-class throughout. Well worth hunting down.

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