MENDELSSOHN Piano Trios

Record and Artist Details

Composer or Director: Felix Mendelssohn

Genre:

Chamber

Label: BIS

Media Format: Super Audio CD

Media Runtime: 56

Mastering:

DDD

Catalogue Number: BIS2109

BIS2109. MENDELSSOHN Piano Trios

Tracks:

Composition Artist Credit
Piano Trio No. 1 Felix Mendelssohn, Composer
Felix Mendelssohn, Composer
Sitkovetsky Piano Trio
Piano Trio No. 2 Felix Mendelssohn, Composer
Felix Mendelssohn, Composer
Sitkovetsky Piano Trio

Composer or Director: Johann Sebastian Bach, Felix Mendelssohn

Genre:

Chamber

Label: Zig-Zag Territoires

Media Format: CD or Download

Media Runtime: 60

Mastering:

DDD

Catalogue Number: ZZT364

ZZT364. MENDELSSOHN Piano Trios BACH Chorale Preludes

Tracks:

Composition Artist Credit
Piano Trio No. 1 Felix Mendelssohn, Composer
Felix Mendelssohn, Composer
Trio Dali
Piano Trio No. 2 Felix Mendelssohn, Composer
Felix Mendelssohn, Composer
Trio Dali
Orgel-Büchlein, Movement: Ich ruf' zu dir, BWV639 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Trio Dali
(18) Chorales, 'Leipzig Chorales', Movement: ~ Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Trio Dali
What a pleasure to have not one but two recordings of the Mendelssohn piano trios plunk on to my doormat. The Trio Dali offer a bonus in the form of two Bach chorale arrangements, for violin and cello respectively, sensitively played, with minimum vibrato.

Both sets of players are alive to the unease of the opening movement of the D minor Trio, with some particularly refulgent duetting between Alexander Sitkovetsky and Leonard Elsenbroich (4'01"), compared to which the string players of the Dali are a touch more held back. Few, though, can rival Heifetz and Piatigorsky in this regard. In the Andante, which is such a minefield if taken too slowly, both pianists set up a good tempo, with an apt balance between eloquence and simplicity, though later on it’s Elsenbroich’s tone which is the more alluring. But sample the Fischer/Müller-Schott/Gilad line-up and you find an even greater intensity at the climax. If no one quite rivals Argerich and the Capuçon brothers for sheer pizzazz in the scherzo, the Sitkovetszky nevertheless set off at a tremendous pace, though perhaps they don’t quite convey the insouciant élan of Fischer et al. In the finale, it’s the Sitkovetsky whom I prefer, the Dali seeming a touch desiccated sound-wise (though this is not helped by the recording, which is less immediate than BIS’s for the Sitkovetsky Trio).

Again, comparing the two groups in the C minor Trio, what’s striking is the less flattering recording of the Dali. If neither quite matches the Fischer reading in transparency of piano figuration or dramatic use of dynamics in the first movement, it’s the Sitkovetsky who are the more persuasive of the two new versions. They’re a touch broader in the hymnic slow movement, though I like the Dali’s simplicity of approach; this is a movement that prompts widely diverging views, Fischer opting for a tempo so slow that it would seem sepulchral were it not for the intensity of the playing, compared to which Heifetz et al positively zip through it. Again, the Sitkovetsky are a shade faster than the Dali in the scherzo, though both dispatch it with great spirit, and they are also particularly compelling in the finale, with a palpable sense of elation at the switch to the major in the closing minutes. So, two fine new recordings, though the Sitkovetsky are a degree more telling, and better recorded.

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