Madetoja Lieder Vol 1
An appealing, stylishly performed recital by a singer whose star is in the ascendant
View record and artist detailsRecord and Artist Details
Composer or Director: Leevi Madetoja
Genre:
Vocal
Label: Ondine
Magazine Review Date: 11/2002
Media Format: CD or Download
Media Runtime: 79
Mastering:
Stereo
DDD
Catalogue Number: ODE996-2

Tracks:
Composition | Artist Credit |
---|---|
Lieder, Movement: Since thou didst leave |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Alone |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Winter morning |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Starry night |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Dark-hued leaves |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Serenade |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Folk Songs from Northern Ostrobothnia, Movement: Birds sing |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Folk Songs from Northern Ostrobothnia, Movement: Let's ride in a cart, boys |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Folk Songs from Northern Ostrobothnia, Movement: My mother thought when she had that boy |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Folk Songs from Northern Ostrobothnia, Movement: A mother's son so plump |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Folk Songs from Northern Ostrobothnia, Movement: From tavern to tavern |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Songs of Youth |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Songs of Youth, Movement: Song of the skiers |
Leevi Madetoja, Composer
Leevi Madetoja, Composer |
Songs of Youth, Movement: Music of Finland |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Songs of Youth, Movement: A foal for wooing |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Songs of Youth, Movement: Someone else's own |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Songs of Youth, Movement: Christmas song |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Take up that fair kantele again |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
(A) flower is purest when opening |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: From afar I hear them singing |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Wintry road |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Birth-place |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Sometimes weeping in the evening |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: I would build a hut |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Song at the plough |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Hail, O daylight in the North |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Finland's Tree |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: My longing |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: Evening |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: I want to go home |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Lieder, Movement: (The) word of the Master |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
(The) Land in our song |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Song of the winter wind |
Leevi Madetoja, Composer
Gabriel Suovanen, Baritone Gustav Djupsjöbacka, Piano Leevi Madetoja, Composer |
Author: David Fanning
Finland's most prominent composer from the generation after Sibelius now has more than a toehold in the catalogue, at least with his symphonies and operas; but only a sprinkling of his 65 songs are currently available.
The 32 songs in this first of (presumably) two volumes are chronologically laid out. After the late-Romantic elegiac lingua franca of the Op 2 set, the first of Op 9, 'Dark-hued leaves', startles with its affinities with Rachmaninov; this gem of a piece is on the short list for all Finnish song recitals.
Composed in 1913, the first of the Songs of Youth, Op 20b, could not be published until Finland's independence from Russia after the First World War, which is no surprise, given that its text is demonstratively nationalistic ('Arise, O young sons of Finland…Saved and cherished shall our homeland soon be!') and its melody strong and catchy. This is an altogether impressive opus, whose concluding 'Christmas song' has become one of Finland's best-loved carols.
With Op 25 we are back to the ecstatic tone of the earlier songs. Perhaps most impressive of this set is No 2, 'Wintry Road', with its tolling Brittenish ostinato and general air of painful asceticism. Patriotic and semi-religious texts increasingly predominate in the later songs (the last ones date from the time of the Nazi occupation in the Second World War), but there is little or no further stylistic evolution.
Almost all of these songs are to Finnish texts. Of the Danish poems that make up Op 44, Holstein's 'Song behind the plough' is familiar from one of Carl Nielsen's most famous songs. The contrast is instructive: with Madetoja, distanced nostalgia; with Nielsen, direct identification with the man of the soil.
Swedish-born baritone Gabriel Suovanen is well attuned both to the late-romantic manner of Madetoja's early songs and to the ardent national-patriotic tone of his later ones. His pianist, Gustav Djupsjöbacka, supplies not only stylish accompaniments but also an informative booklet essay. Recording quality is fine, and collectors of Nordic and/or song repertoire should not hesitate to invest.
The 32 songs in this first of (presumably) two volumes are chronologically laid out. After the late-Romantic elegiac lingua franca of the Op 2 set, the first of Op 9, 'Dark-hued leaves', startles with its affinities with Rachmaninov; this gem of a piece is on the short list for all Finnish song recitals.
Composed in 1913, the first of the Songs of Youth, Op 20b, could not be published until Finland's independence from Russia after the First World War, which is no surprise, given that its text is demonstratively nationalistic ('Arise, O young sons of Finland…Saved and cherished shall our homeland soon be!') and its melody strong and catchy. This is an altogether impressive opus, whose concluding 'Christmas song' has become one of Finland's best-loved carols.
With Op 25 we are back to the ecstatic tone of the earlier songs. Perhaps most impressive of this set is No 2, 'Wintry Road', with its tolling Brittenish ostinato and general air of painful asceticism. Patriotic and semi-religious texts increasingly predominate in the later songs (the last ones date from the time of the Nazi occupation in the Second World War), but there is little or no further stylistic evolution.
Almost all of these songs are to Finnish texts. Of the Danish poems that make up Op 44, Holstein's 'Song behind the plough' is familiar from one of Carl Nielsen's most famous songs. The contrast is instructive: with Madetoja, distanced nostalgia; with Nielsen, direct identification with the man of the soil.
Swedish-born baritone Gabriel Suovanen is well attuned both to the late-romantic manner of Madetoja's early songs and to the ardent national-patriotic tone of his later ones. His pianist, Gustav Djupsjöbacka, supplies not only stylish accompaniments but also an informative booklet essay. Recording quality is fine, and collectors of Nordic and/or song repertoire should not hesitate to invest.
Discover the world's largest classical music catalogue with Presto Music.

Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
Subscribe
Gramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.