Lang Lang - Live at Carnegie Hall

A high-profile début – Carnegie Hall, no less – that fails to deliver

Record and Artist Details

Composer or Director: Franz Liszt, Tan Dun, Joseph Haydn, Franz Schubert, Robert Schumann, Traditional, Fryderyk Chopin

Genre:

Instrumental

Label: Deutsche Grammophon

Media Format: Super Audio CD

Media Runtime: 0

Mastering:

Stereo
DDD

Catalogue Number: 474 875-2

Tracks:

Composition Artist Credit
Theme and Variations on the name 'Abegg' Robert Schumann, Composer
Lang Lang, Piano
Robert Schumann, Composer
Sonata for Keyboard No. 60 Joseph Haydn, Composer
Joseph Haydn, Composer
Lang Lang, Piano
Fantasy, 'Wandererfantasie' Franz Schubert, Composer
Franz Schubert, Composer
Lang Lang, Piano
(8) Memories in Watercolors Tan Dun, Composer
Lang Lang, Piano
Tan Dun, Composer
Nocturnes, Movement: No. 8 in D flat, Op. 27/2 Fryderyk Chopin, Composer
Fryderyk Chopin, Composer
Lang Lang, Piano
Réminiscences de Don Juan (Mozart) Franz Liszt, Composer
Franz Liszt, Composer
Lang Lang, Piano
Kinderszenen, Movement: Träumerei Robert Schumann, Composer
Lang Lang, Piano
Robert Schumann, Composer
(3) Liebesträume, Movement: No. 3 in A flat, O lieb, so lang du lieben kannst Franz Liszt, Composer
Franz Liszt, Composer
Lang Lang, Piano
Competition of the Two Horses Traditional, Composer
Guo-ren Lang, Erh-hu/erhu
Lang Lang, Piano
Traditional, Composer
Deutsche Grammophon continues to display an erratic recent track record when it comes to recording and promotig young, photogenic pianists. Blessed with phenomenal dexterity and an ebullient personality, Lang Lang (pronounced, I now learn, ‘Lung Lung’) has attracted an enormous amount of publicity, but his dreadful mauling of Tchaikovsky’s First Piano Concerto at the first night of last year’s BBC Proms and this present recital both raise the question of whether his musicianship matches his profile. The CD does at least spare us the ecstatic facial expressions which even Dirk Bogarde in Song Without End would have considered hammy.

The Abegg Variations are tossed off with glittering ease, reminding us of a particular side to Schumann’s character before he realised that he was never going to match Mendelssohn and Henri Herz in the fingerfertigkeit stakes. In both the opening and closing movements of the amiable C major sonata by Haydn, Lang Lang pleasingly underlines the quirky, quickfire wit of the composer, even if the slow movement sags in interest. No matter. So far, so good. The remainder of this well-recorded recital, however, is very much hit and miss. I cannot believe, for instance, that Lang Lang truly enjoys Schubert’s Wanderer Fantasy as a piece of music. The performance is accurate, dutiful, dogged and uninspired. It left me cold. By contrast, Tan Dun’s Eight Memories in Watercolors inspire some memorably atmospheric playing with beautifully graded tones.

Nothing at all of interest happens in the Chopin Nocturne; the Liszt is simply a vehicle for Lang Lang’s astonishing athleticism, and must be among the most vapid and unmusical accounts ever to be heard in Carnegie Hall; Lang Lang even outdoes Horowitz in pulling around Schumann’s Träumerei. The same happens to Liebesträume and, while it was brave to include a comedy duet with his father playing the erhu (I’m all for a bit of fun at a piano recital), a Carnegie Hall solo début is perhaps not the ideal time for cabaret. I should have preferred to have heard the Sousa-Horowitz Stars and Stripes Forever and the J Strauss-Grunfeld Soirée de Vienne which concluded the programme, but these are omitted for some reason. There was room: disc 2 lasts just 29'14".

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