KORNGOLD Symphonic Serenade. Sextet
View record and artist detailsRecord and Artist Details
Composer or Director: Erich Wolfgang Korngold
Genre:
Orchestral
Label: CPO
Magazine Review Date: 05/2018
Media Format: CD or Download
Media Runtime: 62
Mastering:
DDD
Catalogue Number: CPO555 138-2

Tracks:
Composition | Artist Credit |
---|---|
Symphonic Serenade |
Erich Wolfgang Korngold, Composer
Erich Wolfgang Korngold, Composer Hartmut Rohde, Conductor NFM Leopoldinum Orcherstra |
Sextet for Strings |
Erich Wolfgang Korngold, Composer
Erich Wolfgang Korngold, Composer Hartmut Rohde, Conductor NFM Leopoldinum Orcherstra |
Author: David Gutman
So what’s not to like? The main issue is one of scale, for all that Hartmut Rohde, most familiar to record buyers as the Mozart Piano Quartet’s viola player, effects necessary adjustments with sensitivity. Wrocaw’s NFM Leopoldinum Orchestra, of which he was artistic director between 2014 and 2017, is only twentyish strong – too small for the Symphonic Serenade, too big for the Sextet. Surprisingly, it’s Werner Andreas Albert and the Nordwestdeutsche Philharmonie who allocate the Serenade’s glorious opening melodic line to solo violin alone. Thereafter the interpretations diverge as you might expect. Rohde exposes the spikier inner workings of Korngold’s invention. Albert’s larger forces luxuriate in its nostalgic warmth. The one version of the Serenade that is truly epic in scope, from Simone Pittau and the LSO (ASV, 2/07), would seem to have vanished from the lists.
Both featured works have generally high-spirited cyclical finales whose tendency to run on empty is countered here by a certain edginess. But then there are moments not so much transparent as wiry or emaciated throughout. As Brendan G Carroll notes in the booklet, the Serenade ‘requires the utmost accuracy and precision in intonation from every player’. Though well worth sampling, these vivid renditions are not quite what Korngold would have imagined in his mind’s ear. Nor is the astringent character of the music-making muted by plentiful hall resonance. Safer (duller?) recommendations are listed below.
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