Kitty Whately: This Other Eden
View record and artist detailsRecord and Artist Details
Composer or Director: Peter Warlock, Joseph Horovitz, Samuel Barber, Herbert Howells, Ivor (Bertie) Gurney, Michael Head, Charles Villiers Stanford, Traditional, Ralph Vaughan Williams, John (Nicholson) Ireland, James MacMillan, Roger Quilter, Benjamin Britten
Genre:
Vocal
Label: Champs Hill
Magazine Review Date: 05/2015
Media Format: CD or Download
Media Runtime: 81
Mastering:
DDD
Catalogue Number: CHRCD094
Tracks:
Composition | Artist Credit |
---|---|
Earth's Call, 'A Sylvan Rhapsody' |
John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
My Own Country |
Peter Warlock, Composer
Joseph Middleton, Piano Kitty Whately, Mezzo soprano Peter Warlock, Composer |
(3) Pastoral Songs, Movement: No. 1, I will go with my father a-ploughing |
Roger Quilter, Composer
Brian O'Kane, Cello Kitty Whately, Mezzo soprano Magnus Johnston, Violin Roger Quilter, Composer |
Down by the Salley Gardens |
Ivor (Bertie) Gurney, Composer
Ivor (Bertie) Gurney, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
Along the Field, Movement: We'll to the woods no more |
Ralph Vaughan Williams, Composer
Kitty Whately, Mezzo soprano Magnus Johnston, Violin Ralph Vaughan Williams, Composer |
King David |
Herbert Howells, Composer
Herbert Howells, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
(La) Belle Dame sans merci |
Charles Villiers Stanford, Composer
Charles Villiers Stanford, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
(The) House of Life, Movement: No. 2, Silent Noon |
Ralph Vaughan Williams, Composer
Joseph Middleton, Piano Kitty Whately, Mezzo soprano Ralph Vaughan Williams, Composer |
A Green Cornfield |
Michael Head, Composer
Joseph Middleton, Piano Kitty Whately, Mezzo soprano Michael Head, Composer |
Spring will not wait |
John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer Kevin Whately, Piano |
(The) Fields are full |
Ivor (Bertie) Gurney, Composer
Ivor (Bertie) Gurney, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
Lady Macbeth |
Joseph Horovitz, Composer
Joseph Horovitz, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
(3) Pastoral Songs, Movement: No. 3, I wish and I wish |
Roger Quilter, Composer
Brian O'Kane, Cello Kitty Whately, Mezzo soprano Magnus Johnston, Violin Roger Quilter, Composer |
The Children |
James MacMillan, Composer
James MacMillan, Composer Joseph Middleton, Piano Kitty Whately, Mezzo soprano |
My bonny lad |
Traditional, Composer
Joseph Middleton, Piano Kitty Whately, Mezzo soprano Traditional, Composer |
Holiday Diary, Movement: Early Morning Bathe |
Benjamin Britten, Composer
Benjamin Britten, Composer |
The Estuary |
Michael Head, Composer
Joseph Middleton, Piano Kitty Whately, Mezzo soprano Michael Head, Composer |
Dover Beach |
Samuel Barber, Composer
Kitty Whately, Mezzo soprano Navarra Quartet Samuel Barber, Composer |
Author: Alexandra Coghlan
From the artwork to the repertoire and fellow performers, ‘This Other Eden’ is a very personal project – exactly the kind of quirky, quality product we’ve come to expect from young label Champs Hill. Whately is joined not only by pianist Joseph Middleton and the Navarra Quartet but also by her parents – actors Kevin Whately (best known as Lewis in Morse) and Madelaine Newton – who intersperse songs with poetry by Hardy, Housman, de la Mare et al. Whately’s daughter Ivy features prominently in the artwork, while the choice of songs reflects the mezzo’s relationship with the British countryside.
Whately is a captivating live performer, and, denied any of her usual armoury of expressive gestures, seems to compensate here with greater vocal drama. This works well for those songs with greater natural scope – Stanford’s epic-in-miniature ‘La belle dame sans merci’, Joseph Horovitz’s ‘Lady Macbeth: A Scena’, James MacMillan’s ‘The Children’ – but pushes others towards the frenetic. She can’t quite find the stillness in ‘Silent Noon’ or Warlock’s ‘My Own Country’ that is their most English quality, that fragile emotional repose.
Nevertheless, Whately’s light, flexible mezzo makes an attractive companion for an hour’s listening, especially paired with the varied textures offered by Middleton and the Navarra Quartet. This is an unusual, even old-fashioned disc, but perhaps better for that. In an age of glossily interchangeable international artists, this one isn’t afraid to tell us her story. I, for one, want to hear more.
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