Kitty Whately: This Other Eden

Record and Artist Details

Composer or Director: Peter Warlock, Joseph Horovitz, Samuel Barber, Herbert Howells, Ivor (Bertie) Gurney, Michael Head, Charles Villiers Stanford, Traditional, Ralph Vaughan Williams, John (Nicholson) Ireland, James MacMillan, Roger Quilter, Benjamin Britten

Genre:

Vocal

Label: Champs Hill

Media Format: CD or Download

Media Runtime: 81

Mastering:

DDD

Catalogue Number: CHRCD094

Tracks:

Composition Artist Credit
Earth's Call, 'A Sylvan Rhapsody' John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
My Own Country Peter Warlock, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Peter Warlock, Composer
(3) Pastoral Songs, Movement: No. 1, I will go with my father a-ploughing Roger Quilter, Composer
Brian O'Kane, Cello
Kitty Whately, Mezzo soprano
Magnus Johnston, Violin
Roger Quilter, Composer
Down by the Salley Gardens Ivor (Bertie) Gurney, Composer
Ivor (Bertie) Gurney, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Along the Field, Movement: We'll to the woods no more Ralph Vaughan Williams, Composer
Kitty Whately, Mezzo soprano
Magnus Johnston, Violin
Ralph Vaughan Williams, Composer
King David Herbert Howells, Composer
Herbert Howells, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
(La) Belle Dame sans merci Charles Villiers Stanford, Composer
Charles Villiers Stanford, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
(The) House of Life, Movement: No. 2, Silent Noon Ralph Vaughan Williams, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Ralph Vaughan Williams, Composer
A Green Cornfield Michael Head, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Michael Head, Composer
Spring will not wait John (Nicholson) Ireland, Composer
John (Nicholson) Ireland, Composer
Kevin Whately, Piano
(The) Fields are full Ivor (Bertie) Gurney, Composer
Ivor (Bertie) Gurney, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Lady Macbeth Joseph Horovitz, Composer
Joseph Horovitz, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
(3) Pastoral Songs, Movement: No. 3, I wish and I wish Roger Quilter, Composer
Brian O'Kane, Cello
Kitty Whately, Mezzo soprano
Magnus Johnston, Violin
Roger Quilter, Composer
The Children James MacMillan, Composer
James MacMillan, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
My bonny lad Traditional, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Traditional, Composer
Holiday Diary, Movement: Early Morning Bathe Benjamin Britten, Composer
Benjamin Britten, Composer
The Estuary Michael Head, Composer
Joseph Middleton, Piano
Kitty Whately, Mezzo soprano
Michael Head, Composer
Dover Beach Samuel Barber, Composer
Kitty Whately, Mezzo soprano
Navarra Quartet
Samuel Barber, Composer
Since winning the Kathleen Ferrier Award in 2011, mezzo-soprano Kitty Whately has been gradually building her reputation in both concert hall and opera house, aided by a place on the BBC’s New Generation Artists scheme. Now she makes her solo recording debut with this lovingly crafted disc of English song.

From the artwork to the repertoire and fellow performers, ‘This Other Eden’ is a very personal project – exactly the kind of quirky, quality product we’ve come to expect from young label Champs Hill. Whately is joined not only by pianist Joseph Middleton and the Navarra Quartet but also by her parents – actors Kevin Whately (best known as Lewis in Morse) and Madelaine Newton – who intersperse songs with poetry by Hardy, Housman, de la Mare et al. Whately’s daughter Ivy features prominently in the artwork, while the choice of songs reflects the mezzo’s relationship with the British countryside.

Whately is a captivating live performer, and, denied any of her usual armoury of expressive gestures, seems to compensate here with greater vocal drama. This works well for those songs with greater natural scope – Stanford’s epic-in-miniature ‘La belle dame sans merci’, Joseph Horovitz’s ‘Lady Macbeth: A Scena’, James MacMillan’s ‘The Children’ – but pushes others towards the frenetic. She can’t quite find the stillness in ‘Silent Noon’ or Warlock’s ‘My Own Country’ that is their most English quality, that fragile emotional repose.

Nevertheless, Whately’s light, flexible mezzo makes an attractive companion for an hour’s listening, especially paired with the varied textures offered by Middleton and the Navarra Quartet. This is an unusual, even old-fashioned disc, but perhaps better for that. In an age of glossily interchangeable international artists, this one isn’t afraid to tell us her story. I, for one, want to hear more.

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