JS BACH Organ Works Vol VII

Bach for two manuals and pedals in Phillips’s seventh set

Record and Artist Details

Composer or Director: Johann Sebastian Bach

Genre:

Instrumental

Label: Regent

Media Format: CD or Download

Media Runtime: 146

Mastering:

Stereo
DDD

Catalogue Number: REGCD308

Tracks:

Composition Artist Credit
Preludes and Fugues, Movement: Prelude and Fugue in G, BWV541 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Preludes and Fugues, Movement: Prelude and Fugue in C minor, BWV546 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Preludes and Fugues, Movement: Prelude and Fugue in A minor, BWV551 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Variations, Movement: Partite diverse sopra O Gott, du frommer Gott, BWV767 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
(6) Concertos, Movement: No. 3 in C, BWV594 (after Vivaldi, Op. 7/11) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
(6) Concertos, Movement: No. 6 in E flat, BWV597 (after unknown composer) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Herr Jesu Christ, dich zu uns wend, BWV726 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Fuga sopra il Magnificat (Meine Seele erhebt den Herren), BWV733 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Herr Jesu Christ, dich zu uns wend', BWV749 (spuri Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Herr Jesu Christ, mein's Lebens Licht, BWV750 (spu Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Jesu, der du meine Seele, BWV752 (spurious) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Nun ruhen alle Wälder, BWV756 (spurious) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: O Vater, allmächtiger Gott, BWV758 (doubtful) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Vater unser im Himmelreich, BWV762 (spurious) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Chorale Preludes, Movement: Wir glauben all' an einen Gott, BWV765 (spurious) Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Durch Adams Fall ist ganz verderbt, BWV705 (doubtf Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Liebster Jesu, wir sind hier, BWV706 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Ich hab' mein' Sach' Gott heimgestellt, BWV707 (do Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Ich hab' mein' Sach' Gott heimgestellt, BWV708 (do Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Herr Jesu Christ, dich zu uns wend, BWV709 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Choral Preludes from the Kirnberger Collection, Movement: Wir Christenleut habn jetzund Freud, BWV710 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Trio Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Fugue Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
O Lamm Gottes, unschuldig Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Prelude Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Fantasia Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
(5) Preludes, Movement: C Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Kleines harmonisches Labyrinth Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
Passacaglia and Fugue Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Margaret Phillips, Organ
For their latest foray into the multifaceted world of Bach’s organ music, Margaret Phillips and her engineer and producer Gary Cole ventured to a pair of historically correct but nicely contrasted and generously endowed two-manual instruments situated in the heart of Germany with close connections to Bach. This two-CD set encompasses a wide range of music, much of it on a small scale, some of it of spurious attribution, and with fewer of the great ‘blockbuster’ pieces than on previous instalments of this excellent series. The playing throughout is of the highest order, even in Bach’s lesser moments, such as the fughettas on Herr Jesu Christ and Nun ruhen alle Wälder.

The first disc – which makes a highly satisfying programme in its own right – opens with a sparkling account of the G major Prelude and Fugue (BWV541). The succession of chorale preludes has been ordered into a typically judicious and satisfying mixture of keys and tempi. Although the full organ is given plenty of exposure, there are many moments of delicate colouring in Miss Phillip’s registrations.

The second disc has perhaps slightly less programmatic coherence. However, the mighty golden Passacaglia in C minor (BWV582) makes a splendid conclusion, complete with 32-foot underpinnings. Among several gems are the extraordinary Kleines harmonisches Labyrinth, BWV591 (which was passed on via Mozart, no less), the dancing Trio in G, BWV1027a, and the limpid recitativo centre of the après-Vivaldi Concerto in C. This is another artistic and engineering success and a benchmark of musical integrity.

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