JS BACH Organ Works Vol 6
A pair of recital programmes on two revealing and very different organs
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Sebastian Bach
Genre:
Instrumental
Label: Regent
Magazine Review Date: AW/2011
Media Format: CD or Download
Media Runtime: 152
Mastering:
Stereo
DDD
Catalogue Number: REGCD307

Tracks:
Composition | Artist Credit |
---|---|
Preludes and Fugues, Movement: Prelude (Fantasia) and Fugue in G minor, BWV542 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Preludes and Fugues, Movement: Prelude and Fugue in B minor, BWV544 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Preludes and Fugues, Movement: Prelude and Fugue in E minor, BWV548 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Preludes and Fugues, Movement: Prelude and Fugue in G, BWV550 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
(6) Trio Sonatas, Movement: No. 1 in E flat, BWV525 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
(6) Trio Sonatas, Movement: No. 6 in G, BWV530 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Christ lag in Todesbanden, BWV718 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Ein feste Burg ist unser Gott, BWV720 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Herzlich tut mich verlangen, BWV727 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Fantasia super Valet will ich dir geben, BWV735 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Valet will ich dir geben, BWV736 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Wir glauben all' an einen Gott, BWV740 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
(6) Concertos, Movement: No. 4 in C, BWV595 (after Johann Ernst) |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
(6) Concertos, Movement: No. 5 in D minor, BWV596 (after Vivaldi, Op. 3/11) |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Auf meinen lieben Gott, BWV744 (? by Krebs) |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Chorale Preludes, Movement: Christus, der uns selig macht, BWV747 (spurious) |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Choral Preludes from the Kirnberger Collection, Movement: Wer nur den lieben Gott lässt walten, BWV690 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Choral Preludes from the Kirnberger Collection, Movement: Wer nur den lieben Gott lässt walten, BWV691 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Choral Preludes from the Kirnberger Collection, Movement: Wo soll ich fliehen hin, BWV694 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Choral Preludes from the Kirnberger Collection, Movement: Christ lag in Todesbanden, BWV695 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Choral Preludes from the Kirnberger Collection, Movement: In dich hab' ich gehoffet, BWV712 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Trio |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Fugue on a theme by Legrenzi |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Fugue, 'Jig Fugue' |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Toccata (and Fugue) |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Margaret Phillips, Organ |
Author: Malcolm Riley
Disc 1 was recorded in St Bavo, Haarlem, on Müller’s mighty 62-stop organ of 1738. Framed by the “Wedge” E minor (BWV548) and the sinewy B minor (BWV544) Preludes and Fugues, the “filling” consists of a deeply satisfying mix of a trio sonata (the best known, No 6 in G), eight chorale preludes and a concerto arrangement. On the whole the changes of tempo, texture and key between pieces work well, as does the satisfying effect of juxtaposing different treatments of the same chorale melody.
Having been soothed by the Dutch organ’s equal temperament, it comes as a shock when one switches to the second disc, recorded in Paris in St Louis-en-l’Ile. Modelled on mid-18th century instruments, this recent (2004) Aubertin organ is tuned to Young’s distinctly rustic temperament. The programme here is even more enjoyable and full of zest. Much of the music is dance-orientated, with powerful interpretations of the Fantasia and Fugue in G minor (BWV542) and the Fugue alla giga (BWV577), contrasting with the sparkling finale of the E flat major Trio Sonata (BWV525). A particular highlight is the five-voice prelude on Wir glauben all’, played without ornamental superfluity.
Gary Coles’s engineering is, as ever, top-drawer, matching Margaret Phillips’s superb musicianship.
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