Holst Orchestral Works
View record and artist detailsRecord and Artist Details
Composer or Director: Gustav Holst
Genre:
Orchestral
Label: Lyrita
Magazine Review Date: 4/1993
Media Format: CD or Download
Media Runtime: 75
Mastering:
Stereo
ADD
Catalogue Number: SRCD223
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Tracks:
Composition | Artist Credit |
---|---|
(2) Songs without Words, Movement: Marching song |
Gustav Holst, Composer
English Chamber Orchestra Gustav Holst, Composer Imogen Holst, Conductor |
Double Concerto |
Gustav Holst, Composer
Emanuel Hurwitz, Violin English Chamber Orchestra Gustav Holst, Composer Imogen Holst, Conductor Kenneth Sillito, Violin |
(The) Golden Goose |
Gustav Holst, Composer
Gustav Holst, Composer |
Capriccio |
Gustav Holst, Composer
English Chamber Orchestra Gustav Holst, Composer Imogen Holst, Conductor |
(A) Fugal Concerto |
Gustav Holst, Composer
English Chamber Orchestra Gustav Holst, Composer Imogen Holst, Conductor Peter Graeme, Cor anglais William Bennett, Flute |
(A) Moorside Suite |
Gustav Holst, Composer
Gustav Holst, Composer |
Lyric Movement |
Gustav Holst, Composer
Cecil Aronowitz, Viola English Chamber Orchestra Gustav Holst, Composer Imogen Holst, Conductor |
Brook Green Suite |
Gustav Holst, Composer
Cecil Aronowitz, Viola English Chamber Orchestra Gustav Holst, Composer Imogen Holst, Conductor |
Author: Andrew Achenbach
Another splendid trawl through the treasurable Lyrita back-catalogue. Here's an uncommonly wide-ranging and generous selection of Holstian delights, encompassing music as stylistically diverse as the folk-song bumptiousness of the early Two songs without words (a VW dedication from 1906) to the ''tender austerity'' (to use the composer's own phrase) of the Lyric Movement for viola and chamber orchestra—a most haunting creation from his penultimate year. Elsewhere, we are offered such rarities as the colourful Golden Goose ballet music and Capriccio (both expertly reworked by Holst's daughter, Imogen), the gritty Double Concerto of 1929, as well as the composer's own string orchestra transcription of the tender ''Nocturne'' from A Moorside Suite—a marvellous work, scored originally for brass band (I do wish Decca would restore their superb Grimethorpe Colliery Band version to currency). The enchanting Brook Green Suite is here, too, but the outstanding account of the popular St Paul's Suite which came with it on that 1967 LP anthology will have to wait a little longer for its silver-disc debut.
Performances throughout possess unfailing insight, and the present remasterings are superb. An essential companion disc to Lyrita's classic Holst/Boult compilation from last year (7/92).'
Performances throughout possess unfailing insight, and the present remasterings are superb. An essential companion disc to Lyrita's classic Holst/Boult compilation from last year (7/92).'
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