Guitar Concertos
View record and artist detailsRecord and Artist Details
Composer or Director: Joaquín Rodrigo, Heitor Villa-Lobos
Genre:
Orchestral
Label: DG
Magazine Review Date: 6/1990
Media Format: CD or Download
Media Runtime: 64
Mastering:
Stereo
DDD
Catalogue Number: 429 232-2GH
Tracks:
Composition | Artist Credit |
---|---|
Concierto de Aranjuez |
Joaquín Rodrigo, Composer
Göran Söllscher, Guitar Joaquín Rodrigo, Composer Orpheus Chamber Orchestra |
Fantasía para un gentilhombre |
Joaquín Rodrigo, Composer
Göran Söllscher, Guitar Joaquín Rodrigo, Composer Orpheus Chamber Orchestra |
Concerto for Guitar and Orchestra |
Heitor Villa-Lobos, Composer
Göran Söllscher, Guitar Heitor Villa-Lobos, Composer Orpheus Chamber Orchestra |
Composer or Director: Joaquín Rodrigo, Heitor Villa-Lobos
Label: DG
Magazine Review Date: 6/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
Stereo
DDD
Catalogue Number: 429 232-4GH
Tracks:
Composition | Artist Credit |
---|---|
Concierto de Aranjuez |
Joaquín Rodrigo, Composer
Göran Söllscher, Guitar Joaquín Rodrigo, Composer Orpheus Chamber Orchestra |
Fantasía para un gentilhombre |
Joaquín Rodrigo, Composer
Göran Söllscher, Guitar Joaquín Rodrigo, Composer Orpheus Chamber Orchestra |
Concerto for Guitar and Orchestra |
Heitor Villa-Lobos, Composer
Göran Söllscher, Guitar Heitor Villa-Lobos, Composer Orpheus Chamber Orchestra |
Composer or Director: Joaquín Rodrigo, Heitor Villa-Lobos
Label: DG
Magazine Review Date: 6/1990
Media Format: Vinyl
Media Runtime: 0
Mastering:
Stereo
DDD
Catalogue Number: 429 232-1GH
Tracks:
Composition | Artist Credit |
---|---|
Concierto de Aranjuez |
Joaquín Rodrigo, Composer
Göran Söllscher, Guitar Joaquín Rodrigo, Composer Orpheus Chamber Orchestra |
Fantasía para un gentilhombre |
Joaquín Rodrigo, Composer
Göran Söllscher, Guitar Joaquín Rodrigo, Composer Orpheus Chamber Orchestra |
Concerto for Guitar and Orchestra |
Heitor Villa-Lobos, Composer
Göran Söllscher, Guitar Heitor Villa-Lobos, Composer Orpheus Chamber Orchestra |
Author: John Duarte
None of this is profound music, with depths that remain to be plumbed, or spiritual messages that have still to be revealed, and there are already many versions of all of it on CD (even more on LP) which stress its virtuosic and nationalistic character. Sollscher leans less on these aspects; he is, above all, true to his own, more tranquil nature and to his concern with refined music-making. For this reason I avoid comparisons and commend this recording to anyone who is prepared to believe that there is another viable view of these amiable works, one in which the head controls the heart—but does not stifle its beating.'
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