Great Voices of the Century John McCormack
View record and artist detailsRecord and Artist Details
Composer or Director: Johnny Patterson, Traditional, George Frideric Handel, Dermot MacMurrough, Georges Bizet, Wolfgang Amadeus Mozart, Giuseppe Verdi, Helen Selina, Countess of Gifford Dufferin, Ernest R Ball, Sergey Rachmaninov, Gaetano Donizetti, Alma M. Sanders, Walter Battison Haynes, Frederick Nicholls Crouch, Charles Marshall, Hugo (Filipp Jakob) Wolf, Stephen Collins Foster
Label: Memoir Classics
Magazine Review Date: 5/1993
Media Format: CD or Download
Media Runtime: 66
Mastering:
Mono
Acoustic
ADD
Catalogue Number: CDMOIR418
Tracks:
| Composition | Artist Credit |
|---|---|
| (L')Elisir d'amore, 'Elixir of Love', Movement: Una furtiva lagrima |
Gaetano Donizetti, Composer
(Anonymous) Orchestra Gaetano Donizetti, Composer John McCormack, Tenor |
| Semele, Movement: O sleep, why dost thou leave me? |
George Frideric Handel, Composer
(Anonymous) Orchestra George Frideric Handel, Composer John McCormack, Tenor Josef Pasternack, Conductor |
| Atalanta, Movement: Care selve, ombre beate |
George Frideric Handel, Composer
Edwin Schneider, Piano George Frideric Handel, Composer John McCormack, Tenor |
| Don Giovanni, Movement: Il mio tesoro |
Wolfgang Amadeus Mozart, Composer
(Anonymous) Orchestra John McCormack, Tenor Walter B. Rogers, Conductor Wolfgang Amadeus Mozart, Composer |
| Ridente la calma |
Wolfgang Amadeus Mozart, Composer
Edwin Schneider, Piano John McCormack, Tenor Wolfgang Amadeus Mozart, Composer |
| (Les) Pêcheurs de Perles, '(The) Pearl Fishers', Movement: ~ |
Georges Bizet, Composer
(Anonymous) Orchestra Georges Bizet, Composer John McCormack, Tenor |
| (La) traviata, Movement: ~ |
Giuseppe Verdi, Composer
(Anonymous) Orchestra Giuseppe Verdi, Composer John McCormack, Tenor Lucrezia Bori, Soprano |
| (15) Songs, Movement: No. 10, Before my window (wds. Galina) |
Sergey Rachmaninov, Composer
Edwin Schneider, Piano Fritz Kreisler, Violin John McCormack, Tenor Sergey Rachmaninov, Composer |
| Goethe Lieder, Movement: Ganymed |
Hugo (Filipp Jakob) Wolf, Composer
Edwin Schneider, Piano Hugo (Filipp Jakob) Wolf, Composer John McCormack, Tenor |
| Spanisches Liederbuch, 'Spanish Songbook', Movement: Herr, was trägt der Boden hier (trans Heyse) |
Hugo (Filipp Jakob) Wolf, Composer
Edwin Schneider, Piano Hugo (Filipp Jakob) Wolf, Composer John McCormack, Tenor |
| Jeanie with the light brown hair |
Stephen Collins Foster, Composer
Edwin Schneider, Piano John McCormack, Tenor Stephen Collins Foster, Composer |
| (The) Garden where the praties grow |
Johnny Patterson, Composer
Edwin Schneider, Piano John McCormack, Tenor Johnny Patterson, Composer |
| Macushla, your sweet voice is calling |
Dermot MacMurrough, Composer
(Anonymous) Orchestra Dermot MacMurrough, Composer John McCormack, Tenor |
| (The) Foggy, foggy dew |
Traditional, Composer
John McCormack, Tenor Spencer Clay, Piano Traditional, Composer |
| (The) Star of the County Down |
Traditional, Composer
Gerald Moore, Piano John McCormack, Tenor Traditional, Composer |
| Kathleen Mavourneen |
Frederick Nicholls Crouch, Composer
Edwin Schneider, Piano Frederick Nicholls Crouch, Composer John McCormack, Tenor |
| Little Town in the Ould Country |
Alma M. Sanders, Composer
(Anonymous) Orchestra Alma M. Sanders, Composer John McCormack, Tenor Josef Pasternack, Conductor |
| Barry of Ballymore, Movement: Mother Machree (Lyrics Young) |
Ernest R Ball, Composer
Edwin Schneider, Piano Ernest R Ball, Composer John McCormack, Tenor |
| Terence's farewell to Kathleen |
Helen Selina, Countess of Gifford Dufferin, Composer
Edwin Schneider, Piano Helen Selina, Countess of Gifford Dufferin, Composer John McCormack, Tenor |
| Off to Philadelphia |
Walter Battison Haynes, Composer
Gerald Moore, Piano John McCormack, Tenor Walter Battison Haynes, Composer |
| I hear you calling me |
Charles Marshall, Composer
Charles Marshall, Composer Edwin Schneider, Piano John McCormack, Tenor |
Author:
Here, at all events, is a capital selection. ''To show the tenor, as it were, in the round'' is the delicately declared aim of the recital, and it certainly illustrates the many qualities of his art extremely well. Choice in Handel and Mozart is restricted anyway, Hugo Wolf too and Memoir Classics surely have the right songs here, with Herr, was tragt der Boden hier as probably the summit of McCormack's achievement in this field. Then the lovely ''Una furtiva lagrima'', with its deliciously sighed ''per poco a' suoi sospir'', is as fine an example as any in the bel canto repertoire. For Verdi, the ''Parigi, o cara'' does well, McCormack's singing highly attractive despite the odd disposition of some of the words, and of course the record proving irresistible at the entry of Lucrezia Bori's Violetta. French opera sung in Italian probably can't be helped (but why, incidentally, is the Romance from Les pecheurs de perles listed as Serenade?). Rachmaninov and the cherished association with Kreisler in Before my window are next, and then comes the real problem for a selector: what to have from among the hundreds of songs in English?
Jeannie, The garden where the praties grow and The star of County Down are necessities. Much gratitude is due forTerence's farewell and Off to Philadelphia. I'm not so sure about Mother Machree, in spite of the 'Ball', discreetly included among the begetters ('Ball' being Thalben of that name). Little Town in the Auld County Down is one of those that at first seems somewhat regrettable, but then McCormack sings the abominable verse (''like the black sheep of old I'll come back to the fold'') with such conviction that he wins converts even before his magical octave rise at the end. And, of course, I hear you calling me has some of the most heavenly placing of notes by any singer on record.
That record, however, normally plays in C rather than D flat as here. Better copies of ''Il mio tesoro'' and Ganymed might have been found; some others rattle a bit. Small points, perhaps, compared with the riches of so much fine singing.'
Jeannie, The garden where the praties grow and The star of County Down are necessities. Much gratitude is due for
That record, however, normally plays in C rather than D flat as here. Better copies of ''Il mio tesoro'' and Ganymed might have been found; some others rattle a bit. Small points, perhaps, compared with the riches of so much fine singing.'
Great Voices of the Century John McCormack
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