Great European Organs No 63
A varied programme but does it show off Athens’ Klais organ to the best advantage?
View record and artist detailsRecord and Artist Details
Composer or Director: Felix Mendelssohn, (Johann Baptist Joseph) Max(imilian) Reger, Johann Sebastian Bach, Sigfrid Karg-Elert, Carl Philipp Emanuel Bach
Genre:
Instrumental
Label: Priory
Magazine Review Date: 2/2003
Media Format: CD or Download
Media Runtime: 77
Mastering:
Stereo
DDD
Catalogue Number: PRCD780
![](https://music-reviews.markallengroup.com/gramophone/media-thumbnails/5028612207803.jpg)
Tracks:
Composition | Artist Credit |
---|---|
Preludes and Fugues, Movement: Prelude and Fugue in E minor, BWV548 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Nicolas Kynaston, Organ |
(18) Chorales, 'Leipzig Chorales', Movement: ~ |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Nicolas Kynaston, Organ |
(6) Preludes and Fugues, Movement: F minor |
Felix Mendelssohn, Composer
Felix Mendelssohn, Composer Nicolas Kynaston, Organ |
(12) Pieces, Movement: Consolation in E |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Nicolas Kynaston, Organ |
(12) Pieces, Movement: Rhapsody in C Sharp minor |
(Johann Baptist Joseph) Max(imilian) Reger, Composer
(Johann Baptist Joseph) Max(imilian) Reger, Composer Nicolas Kynaston, Organ |
Homage to Handel |
Sigfrid Karg-Elert, Composer
Nicolas Kynaston, Organ Sigfrid Karg-Elert, Composer |
Rondo alla campanella |
Sigfrid Karg-Elert, Composer
Nicolas Kynaston, Organ Sigfrid Karg-Elert, Composer |
Sonata for Organ |
Carl Philipp Emanuel Bach, Composer
Carl Philipp Emanuel Bach, Composer Nicolas Kynaston, Organ |
Author: Christopher Nickol
As is often the case with modern organs, the quieter registers are the most pleasing, and they are given ample chance to shine in the pieces by CPE Bach, Mendelssohn and Reger. Kynaston gives authoritative performances of the works by these three composers, and his stunning account of Karg-Elert’s Rondo gives the CD an effective conclusion. The Homage to Handel isn’t quite as satisfying and lacks the magic of Conrad Eden’s performance from Durham Cathedral. I could also live without Kynaston’s changes of stops and manuals in Bach’s E minor Prelude and Fugue, although the tempi are well-chosen.
Despite these small reservations, this is an enjoyable CD, considerably enhanced by David Gammie’s excellent booklet. Now, how about recording the Royal Festival Hall’s famous Harrison for Priory’s GEO series?
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