While recordings of Franck’s Symphony in D minor are legion, complete versions of his extended tone poem Psyché, completed one year earlier in 1887, are much rarer. Most recordings of the piece, including those by van Beinum, Cluytens, Barenboim and Ashkenazy, omit the choral passage from Part 2 and the largely choral Part 3, amounting to almost half of the score. It could be argued that the abridged versions include nearly all of the finest music, notably the ravishingly Wagnerian ‘Psyché et Eros’, but the work gains considerably from being heard in its entirety. Fortunately, a number of conductors over the years have chosen to record the complete score, including van Otterloo, Fournet, Paul Strauss, Otaka and now Jean-Luc Tingaud.

Despite its unevenness, Psyché’s neglect in comparison with the D minor Symphony is puzzling. Franck’s lush and heady writing, inspired by Wagner’s Tristan und Isolde but subject to a Gallic refinement, is both easy on the ear and deeply seductive. Tingaud’s performance is highly successful at communicating the poetry and rapture inherent in the music. He also gives us a very good account of the literary-inspired tone poem Le chasseur maudit (‘The Accursed Huntsman’) of 1882, whose darkness and energy provide a strong contrast with the later work. In both pieces, there’s strong competition from the Chandos recording conducted by Otaka, which is similarly well played and recorded. I marginally prefer the slightly more distanced and ethereal sound of the chorus on the Chandos recording but the Naxos release has the advantage of including an additional work, the 1875 tone poem Les Éolides, and is available at a lower price.