Four Concertos for Violins and Recorders

Record and Artist Details

Composer or Director: Jacques-Christophe Naudot, Antonio Vivaldi, Georg Philipp Telemann, John Baston

Label: ASV

Media Format: CD or Download

Media Runtime: 39

Mastering:

DDD

Catalogue Number: CDDCA523

Tracks:

Composition Artist Credit
Chamber Concerto Antonio Vivaldi, Composer
Alastair Ross, Harpsichord
Antonio Vivaldi, Composer
Max Caudle, Cello
Monica Huggett, Violin
Richard Harvey, Recorder
Roy Goodman, Conductor
Concertos for Recorder and Strings, Movement: G Jacques-Christophe Naudot, Composer
Jacques-Christophe Naudot, Composer
Max Caudle, Cello
Monica Huggett, Violin
Richard Harvey, Recorder
Roy Goodman, Conductor
Timothy Roberts, Harpsichord
Concerto for Descant Recorder and Strings No. 2 John Baston, Composer
John Baston, Composer
Max Caudle, Cello
Monica Huggett, Violin
Richard Harvey, Recorder
Roy Goodman, Conductor
Timothy Roberts, Harpsichord
Quartet Georg Philipp Telemann, Composer
Alastair Ross, Harpsichord
Georg Philipp Telemann, Composer
Max Caudle, Cello
Monica Huggett, Violin
Richard Harvey, Recorder
Roy Goodman, Conductor
This is the second of two recitals by Richard Harvey which have been released by ASV on LP. The first consisted of Italian recorder concertos by Sammartini, A. Scarlatti and Vivaldi, which has not been released on CD as yet. In my review of the LP equivalent of the present disc, I remarked on the effective balance between recorder and violins. Whilst the CD version offers certain advantages over the other—the sound is certainly clearer, if only marginally so—I am not so sure that it actually improves matters, since it draws attention to the fact that the recorder is just a shade too closely balanced. These are, after all, concertos and not sonatas with basso continuo. The point is a small one and, because of the excellence of the recorded sound, it is perfectly possible to hear all strands of the texture for most of the time; but I felt in the Vivaldi, especially, that more string presence would have been preferable. The ensemble is a good one but it is one instrument to a part and therefore I can see little need to emphasize the recorder sound under these circumstances. Apart from that I can warmly recommend the issue.'

Discover the world's largest classical music catalogue with Presto Music. 

Stream on Presto Music | Buy from Presto Music

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.