Famous Spanish Dances for 2 Guitars
View record and artist detailsRecord and Artist Details
Composer or Director: Enrique Granados (y Campiña), Manuel de Falla, Isaac Albéniz
Magazine Review Date: 9/1984
Media Format: CD or Download
Media Runtime: 0
Catalogue Number: 411 432-2PH
Tracks:
| Composition | Artist Credit |
|---|---|
| (12) Danzas españolas, Movement: Oriental |
Enrique Granados (y Campiña), Composer
Celín Romero, Guitar Enrique Granados (y Campiña), Composer Pepe Romero, Guitar |
| (12) Danzas españolas, Movement: Villanesca |
Enrique Granados (y Campiña), Composer
Celín Romero, Guitar Enrique Granados (y Campiña), Composer Pepe Romero, Guitar |
| (12) Danzas españolas, Movement: Andaluza (Playera) |
Enrique Granados (y Campiña), Composer
Celín Romero, Guitar Enrique Granados (y Campiña), Composer Pepe Romero, Guitar |
| (12) Danzas españolas, Movement: Melancolica (Danza triste) |
Enrique Granados (y Campiña), Composer
Celín Romero, Guitar Enrique Granados (y Campiña), Composer Pepe Romero, Guitar |
| Goyescas |
Enrique Granados (y Campiña), Composer
Enrique Granados (y Campiña), Composer |
| (El) Amor Brujo, Movement: Ritual Fire Dance |
Manuel de Falla, Composer
Celín Romero, Guitar Manuel de Falla, Composer Pepe Romero, Guitar |
| (El) Sombrero de tres picos, Movement: Suite No. 2 (Three dances) |
Manuel de Falla, Composer
Celín Romero, Guitar Manuel de Falla, Composer Pepe Romero, Guitar |
| Suite española No. 1, Movement: No. 1, Granada |
Isaac Albéniz, Composer
Celín Romero, Guitar Isaac Albéniz, Composer Pepe Romero, Guitar |
| Recuerdos de viaje, Movement: Puerta de tierra: Bolero |
Isaac Albéniz, Composer
Celín Romero, Guitar Isaac Albéniz, Composer Pepe Romero, Guitar |
| España, Movement: No. 2, Tango |
Isaac Albéniz, Composer
Celín Romero, Guitar Isaac Albéniz, Composer Pepe Romero, Guitar |
| España, Movement: No. 3, Malagueña |
Isaac Albéniz, Composer
Celín Romero, Guitar Isaac Albéniz, Composer Pepe Romero, Guitar |
Author: Ivan March
As JD commented of the LP, the performances here are restrained, though not without atmosphere. The recording too is very good if forward. But compare the middle section of the most famous Granados Spanish dance (Op. 37 No. 5) with Julian Bream's electrifying solo performance (RCA CD RCD14378, 6/83) and one realizes how much lower the voltage is here. The background silence helps, but in short this is an amiable rather than a compelling recital.'
Famous Spanish Dances for 2 Guitars
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