Edita Gruberová: Operatic Recital
View record and artist detailsRecord and Artist Details
Composer or Director: Giuseppe Verdi, Wolfgang Amadeus Mozart, Vincenzo Bellini, Carl Maria von Weber, Gaetano Donizetti
Label: HMV
Magazine Review Date: 4/1986
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL270274-1
Tracks:
Composition | Artist Credit |
---|---|
(La) Fille du régiment, 'Daughter of the Regiment' |
Gaetano Donizetti, Composer
Gaetano Donizetti, Composer |
(La) Sonnambula, Movement: Tutto è gioia |
Vincenzo Bellini, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Vincenzo Bellini, Composer |
Norma, Movement: Sgombra è la sacra selva |
Vincenzo Bellini, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Vincenzo Bellini, Composer |
Don Giovanni, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Crudel! perchè finora |
Wolfgang Amadeus Mozart, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Wolfgang Amadeus Mozart, Composer |
(Der) Freischütz, Movement: Schelm! Halt fest! |
Carl Maria von Weber, Composer
Carl Maria von Weber, Composer Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra |
(I) Masnadieri, Movement: ~ |
Giuseppe Verdi, Composer
Edita Gruberová, Soprano Giuseppe Verdi, Composer Kurt Eichhorn, Conductor Munich Radio Orchestra |
Composer or Director: Giuseppe Verdi, Wolfgang Amadeus Mozart, Vincenzo Bellini, Carl Maria von Weber, Gaetano Donizetti
Label: HMV
Magazine Review Date: 4/1986
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: EL270274-4
Tracks:
Composition | Artist Credit |
---|---|
(La) Fille du régiment, 'Daughter of the Regiment' |
Gaetano Donizetti, Composer
Gaetano Donizetti, Composer |
(La) Sonnambula, Movement: Tutto è gioia |
Vincenzo Bellini, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Vincenzo Bellini, Composer |
Norma, Movement: Sgombra è la sacra selva |
Vincenzo Bellini, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Vincenzo Bellini, Composer |
Don Giovanni, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Crudel! perchè finora |
Wolfgang Amadeus Mozart, Composer
Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra Wolfgang Amadeus Mozart, Composer |
(Der) Freischütz, Movement: Schelm! Halt fest! |
Carl Maria von Weber, Composer
Carl Maria von Weber, Composer Edita Gruberová, Soprano Kurt Eichhorn, Conductor Munich Radio Orchestra |
(I) Masnadieri, Movement: ~ |
Giuseppe Verdi, Composer
Edita Gruberová, Soprano Giuseppe Verdi, Composer Kurt Eichhorn, Conductor Munich Radio Orchestra |
Author: Alan Blyth
Suddenly on Side 2 we are plunged into the entirely different world of Mozart and Weber. Gruberova certainly gets around the coloratura of ''Non mi dir'' more easily than heavier sopranos, but the price to be paid is a rather too light, unemotional rendering. The singer's somewhat glaring tone, which becomes tiring when listening to the items on end, is not what the Countess's music calls for, and again one wants the sense of a context. Her attempt to alter her timbre to suggest Agathe's eager anticipation isn't wholly convincing and the Innigkeit is missing from her finely chiselled singing of ''Leise, leise''. Role and soprano are inevitably mismatched, for all the seriousness of purpose behind the attempt.
Then at the end of Side 2 we are wrenched back to Italy for poor Amialia's Act 2 scena from I Masnadieri. Here, Gruberova enters into the world of early Verdi with a will, providing richer tone than I had expected and long breathing for the aria proper, and purposeful coloratura for the cabaletta. AS in the other Gruberova recitals, Eichhorn is an obedient rather than a very positive partner.'
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