DE LA GUERRE Chamber Music from the Brossard Collection
View record and artist detailsRecord and Artist Details
Composer or Director: Elisabeth-Claude Jacquet de la Guerre
Genre:
Chamber
Label: Coviello
Magazine Review Date: 02/2019
Media Format: CD or Download
Media Runtime: 67
Mastering:
DDD
Catalogue Number: COV91815
Tracks:
Composition | Artist Credit |
---|---|
Prelude |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer The Bach Players |
Trio Sonatas, Movement: 1 in G minor |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer The Bach Players |
Sonata for Violin No 1a |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer The Bach Players |
Trio Sonatas, Movement: 4 in C minor |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer |
Tocade |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer The Bach Players |
Trio Sonatas, Movement: 2 in B flat major |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer |
Sonata for Violin No 2a |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer The Bach Players |
Trio Sonatas, Movement: 3 in D major |
Elisabeth-Claude Jacquet de la Guerre, Composer
Elisabeth-Claude Jacquet de la Guerre, Composer The Bach Players |
Author: Lindsay Kemp
The trios make up the most interesting part of the recording – robustly made music in which Jacquet de La Guerre shows her fertile melodic imagination and harmonic depth, packing it all in by casting the sonatas in sections linked by transitions rather than as discrete movements à la Corelli. It makes them less predictable and more able to surprise and delight. Her violin sonatas are more conventional but leave space for the continuo gamba to cut loose, and also include some of the earliest examples in French music of violin multiple-stopping.
The London-based Bach Players have been playing Jacquet de La Guerre for a while now – they included a different trio on their ‘An Italian in Paris’ album (Hyphen Press, 9/14) – and their performances of the trios in particular are stylistically and musically assured, allowing this fine music the seriousness and room to breathe it needs. Some of the sonatas are prefaced by a harpsichord prelude, effectively provided by Silas Wollston. Nicolette Moonen’s intonation in the violin sonatas is a little on the edge, it has to be said, but the group’s move to a new label has brought rewards in a more focused and happily balanced recording than hitherto.
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