BYRD The Great Service
The Cardinall’s Musick turn to Byrd’s English settings
View record and artist detailsRecord and Artist Details
Composer or Director: William Byrd
Genre:
Vocal
Label: Hyperion
Magazine Review Date: 12/2012
Media Format: CD or Download
Media Runtime: 59
Mastering:
Stereo
DDD
Catalogue Number: CDA67937
Tracks:
Composition | Artist Credit |
---|---|
Great Service |
William Byrd, Composer
(The) Cardinall's Musick Andrew Carwood, Conductor William Byrd, Composer |
Praise our Lord all ye Gentiles |
William Byrd, Composer
(The) Cardinall's Musick Andrew Carwood, Conductor William Byrd, Composer |
Make ye joy to God |
William Byrd, Composer
(The) Cardinall's Musick Andrew Carwood, Conductor William Byrd, Composer |
Unto the hills mine eyes I lift |
William Byrd, Composer
(The) Cardinall's Musick Andrew Carwood, Conductor William Byrd, Composer |
Turn our captivity |
William Byrd, Composer
(The) Cardinall's Musick Andrew Carwood, Conductor William Byrd, Composer |
This day Christ was born |
William Byrd, Composer
(The) Cardinall's Musick Andrew Carwood, Conductor William Byrd, Composer |
Author: Richard Lawrence
But here’s a funny thing. The psalms were written for domestic consumption, probably one to a part, with or without viols. The ladies of the household would – or at least could – have participated; but the top lines here are taken by male altos. Contrariwise, The Great Service, composed for an all-male choir, is sung by mixed voices, of course, but still with only one voice to each part.
As a result, there’s a slight sense of strain in Praise our Lord, sung at pitch, with the altos prominent and the bass-line, as recorded, sounding weak. The other psalms, transposed down by a tone or semitone, come off better: Andrew Carwood is particularly good at lightening the mood when Byrd adopts triple time to illustrate words such as ‘gladness’ or ‘jollity’; and the pre-jolly passages of the heartfelt Turn our captivity are especially moving.
The Great Service, interestingly transposed up by a minor third, really needs a larger body of singers for the contrast between ‘verse’ and ‘full’ sections to be effective. In the Magnificat the proud aren’t scattered vigorously enough for my taste, although there’s plenty of bounce in the following phrase. Don’t be put off by my reservations: the performances overall are excellent and the disc is a fine continuation of the group’s Byrd Edition.
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