BLISS Piano Music Vol 2
View record and artist detailsRecord and Artist Details
Composer or Director: Arthur (Drummond) Bliss
Genre:
Instrumental
Label: Somm Recordings
Magazine Review Date: 08/2015
Media Format: CD or Download
Media Runtime: 62
Mastering:
DDD
Catalogue Number: SOMMCD0148
Tracks:
Composition | Artist Credit |
---|---|
(4) Masks |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
(2) Interludes |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
Suite |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
The old year has ended |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
(The) Rout Trot |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
Triptych |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
Bliss (A one-step) |
Arthur (Drummond) Bliss, Composer
Arthur (Drummond) Bliss, Composer Mark Bebbington, Piano |
Author: Andrew Achenbach
The meatiest fare on the disc comprises the Triptych that the septuagenarian composer wrote in 1970 for Louis Kentner – a wholly compelling, deeply felt statement, demanding not only formidable technical acumen but also unwavering powers of lofty concentration. It’s framed in turn by two deliciously bluesy dance miniatures, ‘Bliss’ (One-Step) and The Rout Trot from 1923 and 1927 respectively. That just leaves the disarmingly tasteful and suitably pensive reworking of the chorale prelude Das alte Jahr vergangen ist (‘The old year has ended’), Bliss’s contribution to a collection of Bach arrangements for the modern piano devised by Harriet Cohen and published by Oxford University Press in 1932.
I’m happy to report that Bebbington’s stylish and perceptive interpretations have been immaculately captured by producer Siva Oke and engineer Paul Arden-Taylor working in the helpful surroundings of Birmingham’s Symphony Hall. What’s more, Robert Matthew-Walker’s authoritative booklet essay is a joy to read. All told, a super release.
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