Berkeley Chamber Works
Berkeley père lays on the charm in his chamber works
View record and artist detailsRecord and Artist Details
Composer or Director: Lennox (Randall Francis) Berkeley
Genre:
Chamber
Label: Naxos
Magazine Review Date: 8/2010
Media Format: CD or Download
Media Runtime: 77
Mastering:
Stereo
DDD
Catalogue Number: 8 572288

Tracks:
Composition | Artist Credit |
---|---|
Trio for Horn, Violin and Piano |
Lennox (Randall Francis) Berkeley, Composer
Lennox (Randall Francis) Berkeley, Composer New London Chamber Ensemble Raphael Terroni, Piano |
Sonatina for Recorder/Flute and Piano |
Lennox (Randall Francis) Berkeley, Composer
Lennox (Randall Francis) Berkeley, Composer New London Chamber Ensemble Raphael Terroni, Piano |
Sonata for Viola and Piano |
Lennox (Randall Francis) Berkeley, Composer
Lennox (Randall Francis) Berkeley, Composer New London Chamber Ensemble Raphael Terroni, Piano |
Quintet |
Lennox (Randall Francis) Berkeley, Composer
Lennox (Randall Francis) Berkeley, Composer New London Chamber Ensemble Raphael Terroni, Piano |
Author: Edward Greenfield
The Trio for horn, violin and piano, written as a counterpart to Brahms’s Horn Trio, was commissioned by pianist Colin Horsley in 1944, with a well constructed Allegro leading to a deeply reflective slow movement and a final theme-and-variations full of strong contrasts and with the seventh variation bringing the emotional heart of the piece. The Viola Sonata of 1945 dates from the same period and more strikingly reflects the mood of darkness at the end of the Second World War, with a sombre slow introduction leading to a first movement full of strong contrasts. A darkly lyrical slow movement leads to a light, more vigorous finale in triple time, with more neo-classical echoes.
The Quintet of 1975 was commissioned by the Chamber Music Society of Lincoln Center in New York and is the most substantial piece on the disc. A sombre slow introduction leads to a sonata-form first movement full of contrasted moods, followed in the four-movement structure by a lively Scherzo and a brief intermezzo leading directly into the vigorous finale, in which a striking clarinet solo (3'56") leads to a sequence of passages for piano and the wind instruments in turn. A strong work representing Berkeley at his stylish best.
Outstanding in the ensemble are the brilliant horn player, Stephen Stirling, and the violinist, Susanne Stanzeleit, though all offer excellent performances and are very well recorded with plenty of air around the sound and clean separation. Another excellent disc from Naxos, well worth the modest price.
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