Benda Lieder & Fortepiano Music
View record and artist detailsRecord and Artist Details
Composer or Director: Georg (Anton) Benda
Label: Hyperion
Magazine Review Date: 1/1994
Media Format: CD or Download
Media Runtime: 63
Mastering:
DDD
Catalogue Number: CDA66649
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Tracks:
Composition | Artist Credit |
---|---|
Du, kleine Blondine, bezauberst ja schon! |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Du fehlest mir |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Venus, wenn du willst mich rühren |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Cephalus und Aurore |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Philint ist still, und flieht die Schönen |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Philint stand jüngst vor Babets Thür |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Ich liebte nur Ismenen |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Mein Thyrsis! dürft ich dir doch sagen |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Belise starb, und sprach im Scheiden |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Lieber Amor, leihe mir |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Mein Geliebter hat versprochen |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Faulheit, itzo will ich dir |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Ein trunkner Dichter leerte |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Mir Armen, den des Fiebers kraft |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
Von nun an, O Liebe verlass' ich dein Reich |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Rufus Müller, Tenor Timothy Roberts, Fortepiano |
(Das) Andenken |
Georg (Anton) Benda, Composer
Emma Kirkby, Soprano Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Sonatinas for Piano, Movement: A minor |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Sonatinas for Piano, Movement: G minor |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Sonatinas for Piano, Movement: F |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Sonatinas for Piano, Movement: E flat |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Sonatinas for Piano, Movement: Rondo in A |
Georg (Anton) Benda, Composer
Georg (Anton) Benda, Composer Timothy Roberts, Fortepiano |
Author: Nicholas Anderson
Here is something of a rarity, and an engaging one, too. Georg, or Jiri Antonin as he was christened, was the youngest brother of Frederick the Great's long-serving Konzertmeister, Frantisek Benda. There were plenty of other Bendas, too, though Georg was the most important composer among them, scoring notable successes with his melodramas. He spent most of his working life as Kapellmeister at Gotha, in Thuringia, where he wrote his first melodrama in 1774. The musical fare on this disc is much more modest and, by and large, generously endowed with pleasing melodies which are entirely free from the stylistic affectation remarked upon by Burney.
The keyboard pieces are galant in manner but without the extremes of temperament explored by his older contemporary, C. P. E. Bach. Timothy Roberts presents a strong case for exploring them in his affectionate and appropriately sensitive approach. The A minor Sonata is an impressive example of Benda's keyboard style and enters the world of Bach's Empfindsamerstil more closely than anything else here. The fortepiano used throughout the disc is a mellow-sounding instrument well suited to the predominantly modest requirements of Benda's music.
The songs and the cantata perhaps make a more enduring impression. There is plenty of character in Benda's melodies, some of which are poignantly affecting. One of the most striking of them is the little ode to Belise,Belise starb, und sprach im Scheiden. Here, and indeed everywhere in her part of the programme, Emma Kirkby captures the spirit of the pieces to perfection, producing a warm, clear-focused tone complemented by a reassuringly secure technique. The remaining songs are sung by Rufus Muller, who matches Kirkby in expression, clear tonal projection, and characterful singing. His Faulheit, itze will ich dir (''Sloth, to thee will I sing'') comes across vividly.
All in all, then, this is an enjoyable Liederabend and, if there is nothing to imprint itself indelibly on the mind, there is certainly nothing that one should not wish to hear oft-repeated. The recorded sound is pleasingly intimate and the booklet well documented with full texts in German and English. Recommended.'
The keyboard pieces are galant in manner but without the extremes of temperament explored by his older contemporary, C. P. E. Bach. Timothy Roberts presents a strong case for exploring them in his affectionate and appropriately sensitive approach. The A minor Sonata is an impressive example of Benda's keyboard style and enters the world of Bach's Empfindsamerstil more closely than anything else here. The fortepiano used throughout the disc is a mellow-sounding instrument well suited to the predominantly modest requirements of Benda's music.
The songs and the cantata perhaps make a more enduring impression. There is plenty of character in Benda's melodies, some of which are poignantly affecting. One of the most striking of them is the little ode to Belise,
All in all, then, this is an enjoyable Liederabend and, if there is nothing to imprint itself indelibly on the mind, there is certainly nothing that one should not wish to hear oft-repeated. The recorded sound is pleasingly intimate and the booklet well documented with full texts in German and English. Recommended.'
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