BEETHOVEN Symphony No 6. Violin Concerto
View record and artist detailsRecord and Artist Details
Composer or Director: Ludwig van Beethoven
Genre:
Orchestral
Label: Euroarts
Magazine Review Date: 03/2016
Media Format: Digital Versatile Disc
Media Runtime: 90
Mastering:
DDD
Catalogue Number: 206 1298
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Violin and Orchestra |
Ludwig van Beethoven, Composer
Berlin Philharmonic Orchestra Bernard Haitink, Conductor Isabelle Faust, Violin Ludwig van Beethoven, Composer |
Symphony No. 6, 'Pastoral' |
Ludwig van Beethoven, Composer
Berlin Philharmonic Orchestra Bernard Haitink, Conductor Ludwig van Beethoven, Composer |
Author: Richard Osborne
The DVD is probably worth acquiring for the slow movement alone. Here Faust’s playing, married to the Berlin Philharmonic’s characteristic patience and fabled refinement of sound, captures even more completely what Tovey called the movement’s ‘sublime inaction’. And perhaps because this a live concert, the transfigured mood carries over into the finale, where Faust’s tone retains a warmth and intimacy that in no way inhibits the music’s gamesome mood.
As in her two previous recordings (there was an earlier Harmonia Mundi version with Jiří Bělohlávek), Faust’s cadenzas are based on Wolfgang Schneiderhan’s transcriptions of the cadenzas Beethoven wrote for his own transcription of the concerto for piano and orchestra. The first-movement cadenza famously contains a part for solo drum, a partner to the trivial little march tune which Beethoven introduces at this point. The drum might be fine for the already percussive piano cadenza, but for a solo violin? Still, it’s different. On the Abbado recording the drum is kept very much at a distance; and it’s not much clearer here, given the rather mellow Baden-Baden acoustic. On DVD, however, one can see the timpanist, which clarifies the sound!
In the Pastoral Symphony, it’s the eye which is the loser. Thanks to none-too-clever video direction, the eye quickly calls time on a performance which the ear is minded to linger over. My suggestion is that you drape your screen in crêpe de Chine (the colour can be suitably pastoral), after which you should be able to savour without distraction a pleasingly equable reading, lovingly played.
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