All the King's Horses - Renaissance Choral Works
View record and artist detailsRecord and Artist Details
Composer or Director: (composers) Various
Label: Metronome
Magazine Review Date: 10/1998
Media Format: CD or Download
Media Runtime: 67
Mastering:
DDD
Catalogue Number: METCD1013
Tracks:
| Composition | Artist Credit |
|---|---|
| All the King's Horses, Movement: Frère Thibault (Janequin) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Puisque vivre en servitude (Sandrin) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Basse danse: Par fin despit (anon) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Bransle gay: Mari je songerois (anon) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: La, la, la, je ne l'ose dire (Certon) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: La volunté (Sandrin) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Basse danse: La volunté (anon) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Au pres de vous (Sermisy) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Le chant des oyseaulx (Janequin) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Der Hundt (anon) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Ach Elslein (Senfl) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: J'ay pris amours (Isaac) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Sich hat ein' neue Sach' aufdraht (Senfl) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Der Winter kalt (Othmayr) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: ~ |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: In Gottes Namen faren wir (Finck) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Ich weiss mir ein Maidlein (Othmayr) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Wiewohl viel Herter Orden sind (Senfl) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Dillà da l'aqua (Patavino) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: La gamba (Ruffo) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Mentre io vo per questi boschi (Cara) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: El travagliato (Ruffo) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: O felic'occhi mieri (Arcadelt) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Saltarello el francosin (anon) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
| All the King's Horses, Movement: Or che'l ciel e la terra (Rore) |
(composers) Various, Composer
(composers) Various, Composer Concordia I Fagiolini Mark Levy, Viol |
Author: Fabrice Fitch
Here at last is the sequel to the previous offering from I Fagiolini and Concordia, “All the King’s Men” (3/97). This time we travel to France, Germany and Italy, and the results are as appealing as before: these spirited performances articulate both text and music in a clear and attractive manner. In the French repertory I Fagiolini successfully take up the challenge of emulating the Ensemble Clement Janequin’s masterful approach to text-projection, and their softer sound and slightly more relaxed approach (try Frere Thibault) will please those who find the French ensemble too rough. Even in such a well-known piece as Le chant des oyseaulx they find new, delightful inflexions. The German selections are rather less well known (or at any rate less often recorded) than the French, but just as convincingly dispatched: the pieces by Senfl, Othmayr and Isaac are well worth discovering. Isaac’s arrangement of J’ay pris amours (performed here by Concordia) reminds us just how much of a virtuoso contrapuntist he was.
In common with its companion volume, the disc aims to represent the sheer diversity of early sixteenth-century secular music: diversity of mood and content, and of possible relations between voices and instruments. This anthological ambition is the set’s most conspicuous success, and carries the disc forward even when individual items or details appear to miss the mark (the concluding madrigal by Rore strikes me as too slow, and more generally the Italian selection is the least satisfying of the three). Bearing this in mind, it will be interesting to see which direction I Fagiolini choose to take in future. The sound-recording, immediate and close, is well up to Metronome’s usual standard, and the booklet is well laid-out and presented, though I would have welcomed the opportunity to accord individual contributions the praise they deserve.'
In common with its companion volume, the disc aims to represent the sheer diversity of early sixteenth-century secular music: diversity of mood and content, and of possible relations between voices and instruments. This anthological ambition is the set’s most conspicuous success, and carries the disc forward even when individual items or details appear to miss the mark (the concluding madrigal by Rore strikes me as too slow, and more generally the Italian selection is the least satisfying of the three). Bearing this in mind, it will be interesting to see which direction I Fagiolini choose to take in future. The sound-recording, immediate and close, is well up to Metronome’s usual standard, and the booklet is well laid-out and presented, though I would have welcomed the opportunity to accord individual contributions the praise they deserve.'
All the King's Horses - Renaissance Choral Works
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