This third instalment in Capella de la Torre’s series of the four elements is every bit as fresh and thoughtful as one would expect from one of Europe’s leading early wind ensembles. The programme consists largely of Renaissance and early Baroque music and opens with an instrumental performance of Thomas Ravenscroft’s canon The wind blows out of the west introduced by wind machine and accompanied by gentle percussion. The sprightly opening and chirrupy fanfare calls are exactly the sort of perky texture that these musicians serve best. Continuing with Westron Wynde in a section of the programme called ‘Gone with the Wind’, John Sheppard’s Gloria from his Mass ‘The Western Wynde’ is performed by soprano and instrumental ensemble. This is an extraordinary work, so different here with the warm reeds and occasional embellishments from the classic vocal recording by The Tallis Scholars (Gimell, 9/93). Instead of high, soaring phrases we have something contained and brisk. It’s not unattractive, but at some of the more complex passages such as ‘Suscipe deprecationem nostram’ and the change to triple time for ‘Cum Sancto Spiritu’, metrical accuracy takes precedence over musical flow.

The album’s subtitle, ‘Tales of Flying Creatures and Heavenly Breezes’, indicates what is probably the best section of the programme: ‘Winged Creatures’. Beginning with the hugely popular Canaries by Thoinot Arbeau and Michael Praetorius, this ensemble bring an infectious rhythmic drive and obvious joy to these simple tunes. Listen also for the bird-calls and crystal-clear sopranos in Monteverdi’s Dolcissimo uscignolo.

This enjoyable album has a stylish snap, especially in the dance music that Capella de la Torre perform so well. And, as ever with this superb ensemble, the percussion subtly steals the show at every opportunity. I defy anyone to sit still through Praetorius’s Ballet de bouteile.