Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The repertoire looks sensible: nothing too high or noisy, much of it taken from mezzo roles, all new to the...
Reviewed in issue 2/1989
The newly founded Retrospect Ensemble has been created by members and trustees of the King’s Consort who wish to continue...
Reviewed by David Vickers in issue: 9/2009
Daniel Barenboim and Sergey Prokofiev might seem like an odd couple but then The Gambler, composed during the First World...
Reviewed by David Gutman in issue: 7/2010
Like Osmo Vänskä in Lahti (BIS, 9/97), Sir Colin Davis and the LSO pair the First and Fourth Symphonies of...
Reviewed by David Gutman in issue: 1/2009
The world’s most widely heard composer? Probably. But do we really know John Williams’ music from his film scores –...
Reviewed by kYlzrO1BaC7A in issue: 12/2001
My enthusiasm for this superb CD is offset by the certain knowledge that for many readers the mere mention of...
Reviewed by Rob Cowan in issue: 6/2000
These pieces tempt performers and listeners into that gently purring mood which asks for nothing better than to be stroked...
Reviewed by John Steane in issue: 9/2000
“Bach is not boring,” declares Cyprien Katsaris. But I’m afraid that, in his hands, Bach ever so slightly is. Katsaris...
Reviewed by hfinch in issue: 1/1996
There is so much to admire here that it seems almost churlish to complain once more about a lack of...
Reviewed by Edward Seckerson in issue: 13/2011
Pavel Vranick³ was born in southern Moravia in 1756‚ the same year as Mozart; he and his brother Antonín made...
Reviewed in issue 5/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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