Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
An 11-string guitar. Unusual, wouldn’t you say? It had many devotees in the last half of the 19th century, especially...
Reviewed by Jeremy Nicholas in issue: 11/2004
Anyone interested in the authentic performance of early music will know that for some time the Swedish conductor Arnold Ostman...
Reviewed by Stanley Sadie in issue: 9/1985
Hawthorne's novel of adultery and its consequences among the Puritans of Massachussetts might seem to provide ideal material for opera,...
Reviewed in issue 10/1992
Somehow, this much-praised set of the Hungarian Rhapsodies had always eluded me, and as I am a person who often...
Reviewed by James Methuen-Campbell in issue: 3/1989
The ''Rosamunde'' Quartet, D804 offers a particularly eloquent example of the peculiar poignancy with which Schubert exploited the expressive potential...
Reviewed in issue 3/1995
Jeremy Commons suggests that the opera should have been named after the heroine, Delizia d’Altamura, rather than her father Corrado....
Reviewed by John Steane in issue: 13/2009
This appears to have gone without review in Gramophone on its first issue, and it would be a...
Reviewed in issue 3/1998
Hard on the heels of the Brahms F minor from 2003 Leeds winner Antti Siirala comes another, from the 1997...
Reviewed by Jeremy Nicholas in issue: 12/2004
Where Gounod is at his most inspired this new version of his most popular work is more than commendable. I...
Reviewed by Alan Blyth in issue: 7/1994
Reaction to Moszkowski’s glamorous salon success was swift and unforgiving. Suddenly the composer of such charmers as Valse mignonne and...
Reviewed by Bryce Morrison in issue: 7/1998
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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