Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The strict authenticity of Schubert’s church music – more homophonic than polyphonic, more secular than religious – may be doubtful,...
Reviewed by mquinn in issue: 4/1998
A valuable addition to the catalogue on its initial appearance, Norman Del Mar's characteristically enterprising 1982 recording of Stanford's Irish...
Reviewed in issue 7/1995
The chief attraction here, at least as far as budget-conscious collectors are concerned, is Taneyev’s ‘completion’ of the Andante and...
Reviewed in issue 1/1997
Most music lovers, I'm sure, can remember at least one revelatory experience when coming across a work for the first...
Reviewed by Marc Rochester in issue: 11/1993
ASV White Line has an enviable catalogue of lighter music; but this latest offering seems to me one of the...
Reviewed by Andrew Lamb in issue: 10/2003
These premiere recordings have appeared on a two-LP set (EMI, 7/85), in harness with Erik Tuxen’s 78s of the Fifth...
Reviewed by Robert Layton in issue: 12/1996
Thanos Mikroutsikos’s opera was first performed in Athens in 1993 and revived in January 1999, when this recording was made...
Reviewed by Michael Oliver in issue: 11/1999
When I reviewed the Hoelscher version of the Schoeck Concerto, I expressed astonishment that a work of such rich lyricism...
Reviewed by Robert Layton in issue: 2/1993
Admired by Beethoven and famed throughout Europe as a composer, keyboard virtuoso and publisher, the Italian-born Englishman Muzio Clementi (1752–1832)...
Reviewed by Richard Wigmore in issue: 2/1993
There's some good singing here, most of it by the tenor, but what moved me was the surge, the grace,...
Reviewed in issue 10/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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