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Review of Villa-Lobos Bachianas Brasileiras

Villa-Lobos Bachianas Brasileiras

The Villa-Lobos centenary year has gots off to an early start with six of the nine Bachianas Brasileiras he wrote...

Reviewed by Lionel Salter in issue: 2/1987

Review of Russian Orchestral Works

Russian Orchestral Works

For all the contrasting characters of the two conductors represented here, this record is from the gentler aspects of Russian...

Reviewed by John Warrack in issue: 2/1997

Review of Scarlatti La Giuditta

Scarlatti La Giuditta

Alessandro Scarlatti composed two oratorios about the Hebrew widow Judith’s assassination of the Assyrian warrior Holofernes. An elaborate version written...

Reviewed by David Vickers in issue: 10/2009

Review of Donizetti Linda di Chamounix

Donizetti Linda di Chamounix

Given a choice between a two-disc set at medium price and three discs at full, one sincerely hopes to prefer...

Reviewed in issue 9/1994

Review of Gates - Pieces for Wind and Piano

Gates - Pieces for Wind and Piano

Philip Gates (b 1963) was a Music Scholar at Millfield, read Music at Queen's College, Oxford, but privately (and perceptively)...

Reviewed by Ivan March in issue: 4/2000

Review of Flaherty Dessa Rose

Flaherty Dessa Rose

Dessa Rose, adapted from the novel by Sherley Anne Williams, returns writer Lynn Ahrens and composer Stephen Flaherty to similar...

Reviewed by jsnelson in issue: 9/2006

Review of Trio Mediæval

Trio Mediæval

The framework for this disc is a Mass by Leonel Power (c1370-1445), an approximate contemporary of John Dunstable. The Kyrie,...

Reviewed by bwitherden in issue: 6/2004

Review of Copland Chamber Works

Copland Chamber Works

Having greatly enjoyed Anne Akiko Meyers’s and Andre-Michel Schub’s recent RCA account of Copland’s eloquent Violin Sonata (1942-3), I’m not...

Reviewed by Andrew Achenbach in issue: 10/1996

Review of Tears, Idle Tears

Tears, Idle Tears

When Tennyson referred to his friend Edward Lear it was as ''Mr Lear, the painter'', and it was through Robert...

Reviewed in issue 5/1985

Review of Bach (6) Brandenburg Concertos

Bach (6) Brandenburg Concertos

How quickly our ears have become attuned to the pitch, gestures, speeds and textures of the “period” revolution. Even when...

Reviewed by Jonathan Freeman-Attwood in issue: 5/2010


 

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