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Review of Jongen Organ Works, Vol.1

Jongen Organ Works, Vol.1

John Scott Whiteley has long devoted himself to the cause of Jongen's music. He has recorded individual pieces before (including...

Reviewed by Marc Rochester in issue: 7/1993

Review of Vivaldi Bajazet

Vivaldi Bajazet

The time when recordings of Vivaldi operas were almost unheard of is absurdly recent, yet in the past couple of...

Reviewed by Lindsay Kemp in issue: 5/2005

Review of Stravinsky Orchestral Works

Stravinsky Orchestral Works

It may sound as though I am selling Hiroyuki Iwaki's lucid and crisply detailed Petrushka short by saying so, but...

Reviewed by Michael Oliver in issue: 9/1990

Review of Eva Marton Recital

Eva Marton Recital

From the very first notes, Leonora's ''Son giunta?'', it is evident that this is another of those big unsteady voices...

Reviewed in issue 3/1987

Review of Purcell Harpsichord Works

Purcell Harpsichord Works

Considering Purcell’s long involvement with keyboard instruments – he was not only organist of Westminster Abbey and of the Royal...

Reviewed by Lionel Salter in issue: 3/1996

Review of Donizetti Imelda de' Lambertazzi

Donizetti Imelda de' Lambertazzi

Imelda was produced in 1830, just before Anna Bolena, which was Donizetti’s first resounding popular success. It tells a story...

Reviewed by John Steane in issue: 5/2008

Review of Ikon Russian Choral Music

Ikon Russian Choral Music

The most interesting discovery to be made on this anthology is Sviridov’s choral music, both sacred (though disguised as incidental...

Reviewed in issue 8/1997

Review of Bellini (La) Sonnambula

Bellini (La) Sonnambula

It has taken quite a long time for Decca to pair its star tenor and mezzo but in this first...

Reviewed by po'connor in issue: 2/2009

Review of Berwald Orchestral Works

Berwald Orchestral Works

No fewer than seven CDs of the Berwald symphonies this month, more than one would have expected in as many...

Reviewed by Robert Layton in issue: 6/1996

Review of Mozart Operatic Arias

Mozart Operatic Arias

‘Singing Mozart is second nature to her,’ enthuses Rattle of Magdalena Kozená. ‘Each woman on each track is a completely...

Reviewed by Richard Wigmore in issue: 9/2006


 

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