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Review of Andrew Kennedy sings Berlioz, Gluck and Mozart

Andrew Kennedy sings Berlioz, Gluck and Mozart

The line Gluck-Mozart-Berlioz is an enterprising one to follow, not previously (I think) staked out by tenors in recital discs....

Reviewed by John Steane in issue: 7/2010

Review of Kabalevsky Orchestral Suites

Kabalevsky Orchestral Suites

Kabalevsky’s light, melodious touch is well displayed in these three orchestral suites, whose content coincides exactly on the two records....

Reviewed by John Warrack in issue: 12/1996

Review of Purcell Dido and Aeneas

Purcell Dido and Aeneas

Even in our global village, one is permitted to express a degree of surprise at a Dido from Novosibirsk in...

Reviewed by Jonathan Freeman-Attwood in issue: 5/2009

Review of Christmas in Rome - Gloria

Christmas in Rome - Gloria

With 26 Corelli ''Christmas'' Concertos and 16 Vivaldi Glorias in the current catalogue already, one's first instinct might be to...

Reviewed by Lionel Salter in issue: 3/1994

Review of Schubert Die Schöne Müllerin

Schubert Die Schöne Müllerin

I reviewed the CD version of this performance last April. I find the LP almost as immediate; perhaps I was...

Reviewed by Alan Blyth in issue: 7/1984

Review of Mozart, Haydn Duo Sonatas

Mozart, Haydn Duo Sonatas

It may be impertinent to begin with a comparison dating back to 1948, of K423 played by Szymon Goldberg and...

Reviewed by Nalen Anthoni in issue: 1/2012

Review of Nielsen Symphonies

Nielsen Symphonies

When reviewing the earlier coupling of Nos. 4 and 5, which is part of a complete cycle of the Nielsen...

Reviewed by Robert Layton in issue: 11/1995

Review of Early Italian Lute Music

Early Italian Lute Music

In his interesting sleeve-note to Christopher Wilson's record, Tim Crawford emphasizes that, for the men and women of sixteenth-century Italy,...

Reviewed by Iain Fenlon in issue: 9/1987

Review of Bacewicz Piano Quintet No 1; String Quartets Nos 4 and 7

Bacewicz Piano Quintet No 1; String Quartets Nos 4 and 7

Grazyna Bacewicz was an independent spirit in mid-20th-century Polish music. If anything, broadly classifiable as a neo-classicist (she studied briefly...

Reviewed by David Fanning in issue: 3/2006

Review of Haydn Complete Symphonies, Vol 8

Haydn Complete Symphonies, Vol 8

Like previous offerings in Fey’s Haydn series with the brilliant Heidelberg orchestra (modern strings and wind, “authentic” valveless brass), this...

Reviewed by Richard Wigmore in issue: 1/2008


 

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