ŁUKASZEWSKI Sinfonietta GÓRECKI Concerto-Notturno
View record and artist detailsRecord and Artist Details
Composer or Director: Pawel Lukaszweski, Henryk Górecki
Genre:
Orchestral
Label: Dux Recordings
Magazine Review Date: 10/2014
Media Format: CD or Download
Media Runtime: 63
Mastering:
DDD
Catalogue Number: DUX0855
Tracks:
Composition | Artist Credit |
---|---|
Sinfonietta |
Pawel Lukaszweski, Composer
Baltic Neopolos Orchestra Pawel Lukaszweski, Composer Tomasz Tomaszewski, Director |
Symphony of Providence, Movement: Adagietto |
Pawel Lukaszweski, Composer
Baltic Neopolos Orchestra Pawel Lukaszweski, Composer Tomasz Tomaszewski, Director |
Concerto Notturno |
Henryk Górecki, Composer
Baltic Neopolos Orchestra Henryk Górecki, Composer Tomasz Tomaszewski, Director |
Lenten Music |
Pawel Lukaszweski, Composer
Baltic Neopolos Orchestra Pawel Lukaszweski, Composer Tomasz Tomaszewski, Director |
Divertimento for String Orchestra |
Henryk Górecki, Composer
Baltic Neopolos Orchestra Henryk Górecki, Composer Tomasz Tomaszewski, Director |
Author: David Patrick Stearns
All five pieces inhabit the same strings-only Penderecki-esque sound world which can be monotonous, particularly in these performances by the apparently conductorless Baltic Neopolis Orchestra. Stronger leadership is needed to reveal what the music is trying to say. Paweł Łukaszewski’s expressionistic Sinfonietta (it earns its name not from a light-hearted manner but movements of three minutes or less) is far more powerfully served by the Podlasie Philharmonic Orchestra under Piotr Borkowski, in which the music’s churning gestures have far more bite, punch and expressive range.
The repertoire doesn’t always show the composers at their best. Łukaszewski’s voice is far more distinctive in his explosive, intense choral works that suggest James MacMillan but with a basis in Polish liturgical chant. His Lenten Music is like the instrumental portion of something larger, and, by itself, is a bit obscure. The Adagietto from Symphony of Providence stands reasonably well on its own, creating an anguished contrast to Mahler’s famous movement of the same title.
Mikołaj Górecki, son of Henryk, is heard in the Concerto-Notturno that he wrote when he was not yet 30, a piece whose first movement quotes Puccini’s La bohème. And though the quotation cleverly leads in altogether more personal directions, it’s not the most respectable calling card. The rest of the piece, with solo violin compellingly played by the orchestra’s leader Tomasz Tomaszewski, is more original, with its tango-flavoured second movement; but not until his 2009 Divertimento at the end of the disc does one sense a formidable compositional voice that has little family resemblance to his father.
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