Works for Trumpet and Piano

The Hindemith makes its mark, but the lengthy trumpet solos don’t wear well

Record and Artist Details

Composer or Director: Paul Hindemith, Ludwig Güttler, Joachim Gottfried Müller, George Enescu, Bernd Franke, Bohuslav (Jan) Martinu, Arthur Honegger

Genre:

Chamber

Label: Berlin Classics

Media Format: CD or Download

Media Runtime: 76

Mastering:

Stereo
DDD

Catalogue Number: 0017552BC

Tracks:

Composition Artist Credit
Intrada Arthur Honegger, Composer
Arkadi Zenziper, Piano
Arthur Honegger, Composer
Ludwig Güttler, Trumpet
Sonatina for Trumpet and Piano Bohuslav (Jan) Martinu, Composer
Arkadi Zenziper, Piano
Bohuslav (Jan) Martinu, Composer
Ludwig Güttler, Trumpet
Sonata for Trumpet and Piano Paul Hindemith, Composer
Arkadi Zenziper, Piano
Ludwig Güttler, Trumpet
Paul Hindemith, Composer
Legend George Enescu, Composer
Arkadi Zenziper, Piano
George Enescu, Composer
Ludwig Güttler, Trumpet
'...auf G' Bernd Franke, Composer
Bernd Franke, Composer
Ludwig Güttler, Trumpet
'Gesang II' Bernd Franke, Composer
Bernd Franke, Composer
Ludwig Güttler, Trumpet
Improvisations Ludwig Güttler, Composer
Ludwig Güttler, Composer
Ludwig Güttler, Trumpet
'Rufe in die Nacht' Joachim Gottfried Müller, Composer
Joachim Gottfried Müller, Composer
Ludwig Güttler, Trumpet
Presenting itself as a duo disc, this title is decidedly misleading. Over 40 minutes of this disc contain solo trumpet music, the majority composed by the trumpeter Ludwig Güttler, whose Two Improvisations comprise little more than extended, meandering technical exercises. Bernd Franke – who is at least a composer – doodles with rather more purpose (the odd microtonal effect thrown in) but 20 minutes of unaccompanied trumpet is hard work even for the aficionado.

Ludwig Güttler is, of course, a distinguished figure, one especially renowned for his thrilling piccolo trumpet playing – bright, thrusting and leading the line in many a Bach oratorio performance and little-known Saxon concerto. The large modern trumpet repertoire does not do him justice. Rough production and an unyielding quality of tone across all registers makes for an uneven performance; the Honegger is a tough ‘Intrada’ by any standards and it takes a big symphony-style player to bring its epic exterior sections to life. Güttler ’s approach is small-scale and resorts to an especially vulgar ‘pantalooning’ vibrato when he can’t sustain the line. There is some relief in the Martin<= Sonatine which he plays with articulate vitality but the Enescu Legend, from 1906, arguably the best work for trumpet and piano up to that point in history, is sluggish and technically unconvincing.

I thought the Hindemith would circumnavigate the mit kraft indication of the first movement but Güttler brings, at the very least, determination to the inexorable first movement and clarity of purpose to the ‘Trauermusik’ before the draining chorale, ‘Alle Menschen müssen sterben’. It may not be a performance of great authority but the impact of this outstanding sonata is still tellingly realised.

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