Wolf Italianisches Liederbuch

Wolf performances on the highest level of achievement from three renowned interpreters of the past

Record and Artist Details

Composer or Director: Hugo (Filipp Jakob) Wolf

Genre:

Vocal

Label: EMI

Media Format: CD or Download

Media Runtime: 79

Mastering:

Stereo
ADD

Catalogue Number: 562650-2

Tracks:

Composition Artist Credit
Italienisches Liederbuch, 'Italian Songbook', Movement: Auch kleine Dinge Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Mir ward gesagt Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Ich seid die Allerschönste Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Gesegnet sei, durch den die Welt enstund Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wer rief dich denn? Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Der Mond hat eine schwere Klag Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Nun lass uns Frieden schliessen Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Dass doch gemalt Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Du denkst mit einem Fädchen Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wie lange schon Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Nein, junger Herr Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Hoffärtig seid Ihr Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Geselle, woll'n wir uns in Kutten hüllen Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Mein Liebster ist so klein Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Ihr jungen Leute Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Und willst du deinen Liebsten Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Heb' auf dein blondes Haupt Hugo (Filipp Jakob) Wolf, Composer
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wir haben beide Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Mein Liebster singt Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Man sagt mir Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Ein Ständchen Euch zu bringen Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Was für ein Lied Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Ich esse nun mein Brot Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Mein Liebster hat zu Tische Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Ich liess mir sagen Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Schon streckt' ich aus Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Du sagst mir Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wohl kenn' ich Euren Stand Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Lass sie nur gehn Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wie soll ich fröhlich sein Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Was soll der Zorn Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Sterb' ich, so hüllt in Blumen Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Und steht Ihr früh am Morgen auf Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Benedeit dir sel'ge Mutter Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wenn du, mein Liebster Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wie viele Zeit verlor ich Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Wenn du mich mit den Augen streifst Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Gesegnet sei das Grün Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: O wär' dein Haus durchsichtig Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Heut' Nacht erhob ich mich Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Nicht länger kann ich singen Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Schweig einmal still Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: O wüsstest du Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Verschling' der Abgrund Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Ich hab' in Penna Hugo (Filipp Jakob) Wolf, Composer
Elisabeth Schwarzkopf, Soprano
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer
Italienisches Liederbuch, 'Italian Songbook', Movement: Selig ihr Blinden Hugo (Filipp Jakob) Wolf, Composer
Dietrich Fischer-Dieskau, Baritone
Gerald Moore, Piano
Hugo (Filipp Jakob) Wolf, Composer

Composer or Director: Hugo (Filipp Jakob) Wolf

Genre:

Vocal

Label: Orfeo d'or

Media Format: CD or Download

Media Runtime: 70

Mastering:

Mono
ADD

Catalogue Number: C614031B

Tracks:

Composition Artist Credit
Italienisches Liederbuch, 'Italian Songbook', Movement: Auch kleine Dinge Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Mir ward gesagt Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Gesegnet sei, durch den die Welt enstund Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Du denkst mit einem Fädchen Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Wie lange schon Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Mein Liebster ist so klein Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Ihr jungen Leute Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Wir haben beide Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Mein Liebster hat zu Tische Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Wenn du, mein Liebster Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: O wär' dein Haus durchsichtig Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Heut' Nacht erhob ich mich Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Schweig einmal still Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Italienisches Liederbuch, 'Italian Songbook', Movement: Verschling' der Abgrund Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Mörike Lieder, Movement: Das verlassene Mägdlein Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Mörike Lieder, Movement: Begegnung Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Mörike Lieder, Movement: An eine Aeolsharfe Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Mörike Lieder, Movement: Agnes Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Mörike Lieder, Movement: Der Gärtner Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Mörike Lieder, Movement: Frage und Antwort Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Führ mich', Kind (trans Heyse) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Ach, des Knaben augen (wds. L. de Ubeda, trans Hey Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Mühvoll komm' ich und beladen (wds. M. de Rio, tl) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Herr, was trägt der Boden hier (trans Heyse) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: In dem Schatten meiner Locken (trans Heyse) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Sagt, seid Ihr es, feiner Herr (trans Heyse) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Mögen alle bösen Zungen (trans Geibel) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Bedeckt mich mit Blumen (trans Geibel) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Sie blasen zum Abmarsch (trans Heyse) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Spanisches Liederbuch, 'Spanish Songbook', Movement: Geh' Geliebter (trans Geibel) Hugo (Filipp Jakob) Wolf, Composer
Erik Werba, Piano
Hugo (Filipp Jakob) Wolf, Composer
Irmgard Seefried, Soprano
Regular readers will not need reminding of my inordinate love of Wolf’s song and especially of the Italian Songbook. For many the beginning and end of that volume’s performance lies in the set made in the mid-1960s and rightfully reissued here in EMI’s Great Recordings of the Century. Whatever passing reservations one may have about the readings of Schwarzkopf and Fischer-Dieskau, there can be no doubt that the composer would have been delighted by the way the pair sing every song off the words, neglecting no detail in their projection of the text.

I examined the interpretations in great detail in my chapter on the work in Song on Record 1 (CUP: 1986) and again in these pages when the set first appeared on CD in 1990. Hearing this expertly remastered CD, stretching to 79 minutes, I felt no need to revise my opinions. By and large, the mastery of tone and technique displayed by both artists is arresting. The reservations I made then remain and can be easily contrasted with the many felicities in the performances. In the soprano’s case they can be illustrated by just two songs. Schwarzkopf catches to perfection the bored girl’s feelings towards her boyfriend’s excruciating violin playing in ‘Wie lange schon’, with Moore displaying his incomparable skills in the famous postlude, but in the immediately preceding ‘Du denkst mit einem Fädchen’, the singer’s manner is uncomfortably artificial. Thank goodness, there are many more examples of the best of Schwarzkopf, not least in the scorn and rejection of ‘Schweig einmal still’ and in the consoling intimacy of that masterpiece ‘Wir haben beide’.

In the man’s songs, Fischer-Dieskau’s amazing command of tonal nuance and word-painting is evident throughout. Nothing escapes his intellect or vocal skills. Many of the glorious love songs are unlikely ever to be delivered again with such velvet tone or such a seductive legato. His Achilles’ heel discloses itself in only a few pieces, as when he goes through his tone in an unnecessarily forceful climax to ‘Dass doch gemalt’. As a whole his partnership with the ever-perceptive Moore provides a wealth of pleasure. One should never forget that Walter Legge, a lifelong Wolf advocate dating back to the 1930s, was the mastermind behind this set. John Steane’s ardent advocacy in the booklet is a pleasure to read, but, Beckmesser-like, I should point out that Moore had not yet retired fom public performance when he took part in this venture.

If neither Schwarzkopf nor Fischer-Dieskau quite achieve the art that conceals art, that important asset was undoubtedly possessed by their coeval, the unique Irmgard Seefried. As Schwarzkopf has freely acknowledged, she achieved by nature what others had to toil for. Again and again in these performances from Salzburg in 1956 and 1959, helped by being recorded live, Seefried directly touches the heart in a way the others do not. In the outpourings of love from the Italian Songbook, she lives the emotion so immediately that one is left wondering at her genius, and in the lighter pieces she is playful without being arch.

Even greater things emerge in the sadness so unerringly conveyed by Wolf in the songs of broken love from the Mörike collection, and Seefried lives the bliss and anguish of the sacred pieces from the Spanish Songbook with astonishing intensity. Then in the lighter, love songs from the same collection, she is her own, irresistible self. Has ‘In dem Schatten meiner Locken’ ever sounded so blissfully teasing, ‘Bedeckt mich mit Blumen’ so languorous, or that masterpiece, ‘Geh, Geliebter’, so tenderly urgent? Werba is a compliant rather than probing partner and the mono recording has its intractable moments, but if I had to possess only one of these two CDs, it would undoubtedly be this gloriously satisfying one.

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