Weber (Der) Freischütz

Hamburg raids the archives to show us future stars in the making

Record and Artist Details

Composer or Director: Carl Maria von Weber

Genre:

Opera

Label: Arthaus Musik

Media Format: Digital Versatile Disc

Media Runtime: 0

Mastering:

Stereo

Catalogue Number: 101 271

Tracks:

Composition Artist Credit
(Der) Freischütz Carl Maria von Weber, Composer
Arlene Saunders, Agathe, Soprano
Bernhard Minetti, Samiel, Speaker
Carl Maria von Weber, Composer
Edith Mathis, Aennchen, Soprano
Ernst Kozub, Max, Tenor
Franz Grundheber, Kilian, Baritone
Gottlob Frick, Caspar, Bass
Hamburg State Opera Chorus
Hamburg State Opera Orchestra
Hans Sotin, Hermit, Bass
Leopold Ludwig, Conductor
Regina Marheineke, First Bridesmaid, Soprano
Tom Krause, Ottokar, Baritone
Toni Blankenheim, Cuno, Bass

Composer or Director: (Gustav) Albert Lortzing

Genre:

Opera

Label: Arthaus Musik

Media Format: Digital Versatile Disc

Media Runtime: 131

Mastering:

Stereo

Catalogue Number: 101 269

Tracks:

Composition Artist Credit
Zar und Zimmermann (Gustav) Albert Lortzing, Composer
(Gustav) Albert Lortzing, Composer
Charles Mackerras, Conductor
Hamburg Philharmonic Orchestra
Hamburg State Opera Chorus
Hans Sotin, Van Bett, Bass
Herbert Fliether, General Lefort
Horst Wilhelm, Marquis de Chateauneuf, Tenor
Lucia Popp, Marie, Soprano
Noel Mangin, Lord Syndham, Bass
Peter Haage, Peter Ivanov, Tenor
Raymond Wolansky, Peter the Great, Baritone
Ursula Boese, Widow Browe, Contralto (Female alto)
The first releases from the extensive TV archive of productions made during Rolf Liebermann’s Intendantship in Hamburg in the 1960s feature productions that, surprisingly, are cute, kitschy and seemingly untouched by the adventurous work elsewhere of Walter Felsenstein and Wieland Wagner. Such poverty of visual and dramatic imagination, together with the distracting contemporary belief in miming to a pre-recorded soundtrack, interferes with the high musical standards and committed individual performances on display.

They say that Lortzing does not travel (even in Germany his light operas play only to their own, unique audience) but this tale of mistaken identities about two Russians called Peter in a Dutch shipyard has the seamless inevitability of the best comedy, and a decidedly modern turn of phrase. “He could have told me he was a Tsar,” complains the young Lucia Popp’s nicely judged Marie, “and I’d have behaved quite differently.” Also from the top drawer, and caught at an early stage of their careers, are the “real” Peter of Raymond Wolansky (best known in the UK for the Frühbeck Carmina Burana), the normally serious Hans Sotin revelling in the slapstick of Mayor van Bett, Horst Wilhelm as the French Marquis, and a tiny role for Franz Grundheber. Charles Mackerras, a Hamburg regular in those days, conducts with, you won’t be surprised to hear, astonishing fluency.

The Weber performance at least lets you see archetypal bass villain Gottlob Frick and Ernst Kozub, the tenor who nearly recorded Siegfried for Solti, in a complete performance – although, close to, Frick is quite over-the-top in this very traditional production. With Saunders and Mathis (intelligently understated) as the ladies, and Krause and Blankenheim as relative walk-ons, the casting alone may tempt purchase. Sadly however, the effects in the Wolf’s Glen scene would have looked weak in the first run of Dr Who, and there’s little evidence of involving actor direction. Ludwig conducts with unobjectionable style. The DVD remasterings have been excellently done. The discs will please those who prefer souvenirs of important artists to intelligent music-theatre.

Discover the world's largest classical music catalogue with Presto Music. 

Stream on Presto Music | Buy from Presto Music

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.