WALTON Viola Concerto (Ehnes)
View record and artist detailsRecord and Artist Details
Composer or Director: William Walton
Genre:
Orchestral
Label: Chandos
Magazine Review Date: 06/2018
Media Format: Super Audio CD
Media Runtime: 66
Mastering:
DDD
Catalogue Number: CHSA5210
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Viola and Orchestra |
William Walton, Composer
BBC Symphony Orchestra Edward Gardner, Conductor James Ehnes, Viola William Walton, Composer |
Sonata for strings |
William Walton, Composer
BBC Symphony Orchestra Edward Gardner, Conductor William Walton, Composer |
Partita |
William Walton, Composer
BBC Symphony Orchestra Edward Gardner, Conductor William Walton, Composer |
Author: Mark Pullinger
That Walton’s is one of the great concertos written for the viola cannot be doubted, especially when you consider the number of violinists who have muscled in to take it into their repertoire. Yehudi Menuhin recorded it in 1968, under the composer’s baton, an account which set a trend for leisurely tempos in the Andante comodo first movement. Nigel Kennedy (1987) and Maxim Vengerov (2002) followed, to which may now be added this splendid new account from James Ehnes with the BBC Symphony Orchestra under Edward Gardner.
What is immediately apparent is that Ehnes and Gardner take us back to those pre-Menuhin tempos, only a fraction slower than William Primrose’s pioneering 1946 recording. There’s a grand sweep to the performance which is wholly engaging in its refusal to wallow. Ehnes’s burnished viola tone is noble and warm, without Vengerov’s lusciousness but also without its tendency to cloy. The Vivo middle movement dances along in the highest of spirits, while Ehnes’s playing in the finale balances sweetness with energy.
Gardner keeps things moving, the BBC SO romping along in the opening movement (5'02") and the bassoon bouncing jauntily to introduce the finale. Vengerov and Rostropovich drag this out to well beyond 16 minutes, whereas Ehnes and Gardner are done soon after the 11 minute mark, without compromising on the satisfying sense of repose in the concerto’s hushed coda. A winning interpretation.
In his third volume of Walton, Gardner conducts a lithe performance of the Sonata for string orchestra (Walton’s arrangement – at Neville Marriner’s suggestion – of his First String Quartet) and a suitably boisterous Partita to fill out the disc. The Toccata swaggers along with tremendous vigour, the BBC SO brass in great form and in characteristically red-blooded Chandos sound, while the Giga burlesca finale is guaranteed to raise a smile.
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