Verdi Falstaff
A precious glimpse of opera in the 1960s, a long way from Shakespeare and Verdi
View record and artist detailsRecord and Artist Details
Composer or Director: Giuseppe Verdi
Genre:
DVD
Label: Arthaus Musik
Magazine Review Date: 13/2010
Media Format: Digital Versatile Disc
Media Runtime: 118
Mastering:
Mono
Catalogue Number: 101507
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Tracks:
Composition | Artist Credit |
---|---|
Falstaff |
Giuseppe Verdi, Composer
Elizabeth Höngen, Mistress Quickly, Mezzo soprano Giuseppe Verdi, Composer Melitta Muszely, Alice Ford, Soprano Nello Santi, Conductor Otto Edelmann, Falstaff, Baritone Richard van Vrooman, Fenton, Tenor Vienna State Opera Chorus Vienna Symphony Orchestra |
Author: Richard Fairman
Hellmuth Matiasek’s studio production is as traditional as they come. Set firmly in the Tudor period, it features a nicely realistic old Garter Inn and a garden for the Fords’ house straight out of Stratford-upon-Avon, while the merry-making around Herne’s Oak becomes a riot of period camp – the “Tudor” hats and hairstyles could only be the 1960s. Every character is true to the Shakespeare original, though some of the acting looks unsubtle in close-up today. Nannetta and Fenton might well regret smooching at each other so luridly and every raised comic eyebrow could have been seen a mile away.
The cast is a good one, but not exceptional. Otto Edelmann plays a blessedly unexaggerated Falstaff, first cousin to his Baron Ochs (preserved in Karajan’s recording), but does not always sing in tune. The other major names in the cast are Elisabeth Höngen as a not-too-plummy Mistress Quickly and Graziella Sciutti as a bright-voiced “Ännchen”. The others – including Melitta Muszely’s Alice Ford, Hans Günter Grimm’s Ford and Richard van Vrooman’s Fenton – are at least adequate, and Nello Santi conducts the Vienna Symphony Orchestra with an Italianate vigour that is the most Verdian aspect of the performance. As a historical document, this is probably as good as they come.
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