The Art of Lotte Schöne

Record and Artist Details

Composer or Director: Jules (Emile Frédéric) Massenet, Leo Blech, Wolfgang Amadeus Mozart, Giacomo Puccini, Carl (Johann Adam) Zeller, Johann Strauss II, Carl Millöcker, Anton (Grigor'yevich) Rubinstein, Giacomo Meyerbeer, Josef Strauss, Gioachino Rossini, Franz Schubert, (Carl) Otto (Ehrenfried) Nicolai, Gaetano Donizetti, Sidney (James) Jones, Franz (von) Suppé, Giuseppe Verdi

Label: Lebendige Vergangenheit

Media Format: CD or Download

Media Runtime: 153

Mastering:

Mono

Catalogue Number: 89224

Tracks:

Composition Artist Credit
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Voi che sapete Wolfgang Amadeus Mozart, Composer
(Anonymous) Orchestra
Lotte Schöne, Soprano
Wolfgang Amadeus Mozart, Composer
Don Giovanni, Movement: Vedrai, carino Wolfgang Amadeus Mozart, Composer
(Anonymous) Orchestra
Lotte Schöne, Soprano
Wolfgang Amadeus Mozart, Composer
(Les) Huguenots, Movement: ~ Giacomo Meyerbeer, Composer
(Anonymous) Orchestra
Giacomo Meyerbeer, Composer
Lotte Schöne, Soprano
(Die) Fledermaus, '(The) Bat', Movement: ~ Johann Strauss II, Composer
(Anonymous) Orchestra
Johann Strauss II, Composer
Lotte Schöne, Soprano
(Die) Fledermaus, '(The) Bat', Movement: Spiel' ich die Unschuld Johann Strauss II, Composer
(Anonymous) Orchestra
Johann Strauss II, Composer
Lotte Schöne, Soprano
(La) Bohème, 'Bohemian Life', Movement: ~ Giacomo Puccini, Composer
(Anonymous) Orchestra
Giacomo Puccini, Composer
Lotte Schöne, Soprano
(Der) Vogelhändler, '(The) Bird Catcher', Movement: Ich bin die Christel von der Post Carl (Johann Adam) Zeller, Composer
(Anonymous) Orchestra
Carl (Johann Adam) Zeller, Composer
Lotte Schöne, Soprano
(Der) Vogelhändler, '(The) Bird Catcher', Movement: Rheinwalzer Carl (Johann Adam) Zeller, Composer
(Anonymous) Orchestra
Carl (Johann Adam) Zeller, Composer
Lotte Schöne, Soprano
(Der) Obersteiger, '(The) Master Miner', Movement: Ja dort in den Bergen Carl (Johann Adam) Zeller, Composer
(Anonymous) Orchestra
Carl (Johann Adam) Zeller, Composer
Lotte Schöne, Soprano
(The) Geisha, Movement: The Amorous Goldfish Sidney (James) Jones, Composer
(Anonymous) Orchestra
Lotte Schöne, Soprano
Sidney (James) Jones, Composer
(The) Geisha, Movement: Love! Love! Sidney (James) Jones, Composer
(Anonymous) Orchestra
Lotte Schöne, Soprano
Sidney (James) Jones, Composer
(The) Geisha, Movement: O tanz', du kleine Geisha Sidney (James) Jones, Composer
(Anonymous) Orchestra
Lotte Schöne, Soprano
Sidney (James) Jones, Composer
(Die) schöne Galathee, 'Beautiful Galatea', Movement: Trinklied Franz (von) Suppé, Composer
(Anonymous) Orchestra
Franz (von) Suppé, Composer
Lotte Schöne, Soprano
(Die) schöne Galathee, 'Beautiful Galatea', Movement: Was sagst du? Ich lausche Franz (von) Suppé, Composer
(Anonymous) Orchestra
Franz (von) Suppé, Composer
Lotte Schöne, Soprano
(Der) Lustige Krieg, '(The) Merry War', Movement: Was ist an einem Kuss gelegen Johann Strauss II, Composer
(Anonymous) Orchestra
Johann Strauss II, Composer
Lotte Schöne, Soprano
Indigo und die vierzig Räuber, 'Indigo and the 4, Movement: Bacchanale Johann Strauss II, Composer
(Anonymous) Orchestra
Johann Strauss II, Composer
Lotte Schöne, Soprano
(Der) Arme Jonathan Carl Millöcker, Composer
(Anonymous) Orchestra
Carl Millöcker, Composer
Lotte Schöne, Soprano
Cagliostro in Wien, Movement: Zigeunerlied, wie glänzt dein Haar Johann Strauss II, Composer
(Anonymous) Orchestra
Johann Strauss II, Composer
Lotte Schöne, Soprano
Dorfschwalben aus Õsterreich, 'Village swallows Josef Strauss, Composer
(Anonymous) Orchestra
Josef Strauss, Composer
Lotte Schöne, Soprano
An der schönen, blauen Donau, 'Blue Danube' Johann Strauss II, Composer
(Anonymous) Orchestra
Johann Strauss II, Composer
Lotte Schöne, Soprano
Valse caprice Anton (Grigor'yevich) Rubinstein, Composer
(Anonymous) Orchestra
Anton (Grigor'yevich) Rubinstein, Composer
Lotte Schöne, Soprano
Così fan tutte, Movement: ~ Wolfgang Amadeus Mozart, Composer
Berlin State Opera Orchestra
Fritz Zweig, Conductor
Lotte Schöne, Soprano
Wolfgang Amadeus Mozart, Composer
(Die) Zauberflöte, '(The) Magic Flute', Movement: Ach, ich fühl's Wolfgang Amadeus Mozart, Composer
Berlin State Opera Orchestra
Fritz Zweig, Conductor
Lotte Schöne, Soprano
Wolfgang Amadeus Mozart, Composer
Don Pasquale, Movement: ~ Gaetano Donizetti, Composer
Berlin State Opera Orchestra
Erich Orthmann, Conductor
Gaetano Donizetti, Composer
Lotte Schöne, Soprano
Willi Domgraf-Fassbaender, Baritone
Soirées musicales, Movement: L'invito (bolero: wds. C. Pepoli) Gioachino Rossini, Composer
Berlin State Opera Orchestra
Erich Orthmann, Conductor
Gioachino Rossini, Composer
Lotte Schöne, Soprano
(Die) Lustigen Weiber von Windsor, '(The) Merry Wives of Windsor', Movement: Nun eilt herbei (Carl) Otto (Ehrenfried) Nicolai, Composer
(Carl) Otto (Ehrenfried) Nicolai, Composer
Berlin State Opera Orchestra
Erich Orthmann, Conductor
Lotte Schöne, Soprano
(Der) Hirt auf dem Felsen Franz Schubert, Composer
Berlin State Opera Orchestra
Franz Schubert, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
Rigoletto, Movement: ~ Giuseppe Verdi, Composer
(Anonymous) Orchestra
Giuseppe Verdi, Composer
Joseph Hislop, Tenor
Lotte Schöne, Soprano
Piero Coppola, Conductor
(Un) ballo in maschera, '(A) masked ball', Movement: ~ Giuseppe Verdi, Composer
Berlin State Opera Orchestra
Giuseppe Verdi, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
Manon, Movement: ~ Jules (Emile Frédéric) Massenet, Composer
Berlin State Opera Orchestra
Jules (Emile Frédéric) Massenet, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
(Die) Fledermaus, '(The) Bat', Movement: Mein Herr, was dächten Sie Johann Strauss II, Composer
Berlin State Opera Orchestra
Johann Strauss II, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
G'schichten aus dem Wienerwald, 'Tales from the Vienna Woods' Johann Strauss II, Composer
Berlin State Opera Orchestra
Johann Strauss II, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
(La) Bohème, 'Bohemian Life', Movement: Donde lieta uscì (Mimì's farewell) Giacomo Puccini, Composer
Berlin State Opera Orchestra
Erich Orthmann, Conductor
Giacomo Puccini, Composer
Lotte Schöne, Soprano
Madama Butterfly, Movement: Un bel dì vedremo Giacomo Puccini, Composer
Berlin State Opera Orchestra
Giacomo Puccini, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
Madama Butterfly, Movement: ~ Giacomo Puccini, Composer
Berlin State Opera Orchestra
Giacomo Puccini, Composer
Leo Blech, Composer
Lotte Schöne, Soprano
Turandot, Movement: Signore, ascolta! Giacomo Puccini, Composer
Berlin State Opera Orchestra
Fritz Zweig, Conductor
Giacomo Puccini, Composer
Lotte Schöne, Soprano
Turandot, Movement: Tu, che di gel sei cinta Giacomo Puccini, Composer
Berlin State Opera Orchestra
Fritz Zweig, Conductor
Giacomo Puccini, Composer
Lotte Schöne, Soprano
‘Schone’ of voice and (I’m sure) nature as well as name, this delightful soprano is one of the few for whom an average modern listener, at this distance of 60 to 70 years, does not have to make some kind of ‘historical’ adjustment. She sings with unflawed beauty of tone, technical mastery and sureness of taste; if we found these qualities in a modern singer we would take her to our hearts right away but we would not feel that, stylistically or in some other sense, we had an anachronism in our midst. Mozart is usually the great tester in this respect, but to this day there is no lovelier account of Pamina’s aria in Die Zauberflote and no Despina with more infectious gaiety and feeling for rhythm than Lotte Schone’s in these recordings from 1928. As for the glimpses we have of her Gilda and Mimi, her Manon, Butterfly and Liu, there is no touch which makes us cry “Dated!” or indeed which makes us think anything other than how fortunate we would count ourselves if she were still with us and singing like that today.
It was as Liu, the slave-girl, that she won the immediate admiration of London audiences. This was at the British premiere of Turandot in 1927, when out of that cast she was everybody’s favourite singer, setting a standard by which all her successors in the role came to be judged. At that time her career was centred on Berlin, where she was an essential part of the famous ensemble under Bruno Walter. Like him, she could no longer stay in Germany when the Nazis came to power, but her career continued for a while in Paris (where she sang Melisande), and, in hiding, she managed to survive the war, even, at an advanced age, making a few private records.
Those assembled here in the Preiser collection are all taken from her best years, the first disc comprising records from the late pre-electrical era and the second having the complete run of HMV recordings from 1927 to 1931 (only the operetta duets with Wittrisch being omitted). The early items include two that were unpublished in their time, The Blue Danube and Valse caprice, both beautifully sung, and the gems are two solos from operettas, one a kind of gipsy song from Cagliostro in Wien, the other from Millocker’s Der arme Jonathan with the implausible title “Ach, wir armen Primadonnen”. The real treasures are found on the second disc, and I must mention the single failure lest nobody believe another word I say – this is Schubert’s Der Hirt auf dem Felsen, about which a great deal is wrong, starting with the orchestral accompaniment. For the rest, the whole sequence is a blissful one, ending with the solos from Turandot, which show exactly why the Covent Garden audience held their breath in 1927 and remembered their first Liu for ever after.'

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