TELEMANN Concertos & Cantata Ihr Völker Hört
View record and artist detailsRecord and Artist Details
Composer or Director: Georg Philipp Telemann
Genre:
Orchestral
Label: Channel Classics
Magazine Review Date: 09/2016
Media Format: CD or Download
Media Runtime: 79
Mastering:
DDD
Catalogue Number: CCS38616
Tracks:
Composition | Artist Credit |
---|---|
Ihr Völker hört |
Georg Philipp Telemann, Composer
Ashley Solomon, Director, Flute Clare Wilkinson, Mezzo soprano Florilegium Georg Philipp Telemann, Composer |
Quartet |
Georg Philipp Telemann, Composer
Ashley Solomon, Director, Flute Florilegium Georg Philipp Telemann, Composer |
Concerto for Violin concertato and Strings |
Georg Philipp Telemann, Composer
Florilegium Georg Philipp Telemann, Composer |
Concerto for Oboe, Strings and Basso Continuo |
Georg Philipp Telemann, Composer
Ashley Solomon, Director, Flute Florilegium Georg Philipp Telemann, Composer |
Concerto for Flute, Oboe d'amore, Viola d'amore an |
Georg Philipp Telemann, Composer
Ashley Solomon, Director, Flute Florilegium Georg Philipp Telemann, Composer |
Overture-Suite |
Georg Philipp Telemann, Composer
Ashley Solomon, Director, Flute Florilegium Georg Philipp Telemann, Composer |
Author: David Vickers
The double concerto for recorder and viola da gamba in A minor (TWV52:a1) is a charming example of Telemann’s taste for synthesising French and Italian musical styles with elements of Polish folk music; Florilegium’s civilised elegance in the French-style Grave, gently Italianate sway in the Allegro, and Solomon’s duet with gambist Reiko Ichise in the Dolce has pastoral sensitivity. Always played with cultivated refinement, Florilegium provide a thoughtful alternative to the more firmly textured and zestier approach taken by La Stagione Frankfurt (CPO, 2015).
At the heart of the programme is Ihr Völker hört (TWV1:921), a cantata for solo voice and obbligato instrument (played here on the flute by Solomon) that was published in the first instalment of the series Harmonischer Gottes-Dienst (Hamburg, 1725 26). Clare Wilkinson’s softly convivial and articulate singing communicates the cheerful Epiphany text. Solomon takes centre stage in a flute concerto in D major (TWV51:D2), but my ears were drawn equally to the sympathetic continuo-playing of theorbist David Miller and harpsichordist Terence Charlston.
The bigger-scale finale is an F major overture and dance suite (TWV55:F16), dedicated to the Landgrave of Darmstadt and probably written late in Telemann’s long life; in the turbulent Ramellian ‘Tempête’ a pair of horns and bassoon are on thrilling form, so it is a pity that half of the dances could not fit on the disc – but they are available to download.
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