TCHAIKOVSKY Violin Concerto (Esther Yoo)
View record and artist detailsRecord and Artist Details
Composer or Director: Pyotr Ilyich Tchaikovsky
Genre:
Orchestral
Label: Deutsche Grammophon
Magazine Review Date: 08/2017
Media Format: CD or Download
Media Runtime: 67
Mastering:
DDD
Catalogue Number: 481 5032
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Violin and Orchestra |
Pyotr Ilyich Tchaikovsky, Composer
Esther Yoo, Violin Philharmonia Orchestra Pyotr Ilyich Tchaikovsky, Composer Vladimir Ashkenazy, Conductor |
Swan Lake, Movement: Pas de Deux (Act 1 No 5) |
Pyotr Ilyich Tchaikovsky, Composer
Esther Yoo, Violin Philharmonia Orchestra Pyotr Ilyich Tchaikovsky, Composer Vladimir Ashkenazy, Conductor |
Swan Lake, Movement: Danse Russe |
Pyotr Ilyich Tchaikovsky, Composer
Esther Yoo, Violin Philharmonia Orchestra Pyotr Ilyich Tchaikovsky, Composer Vladimir Ashkenazy, Conductor |
Sérénade mélancolique |
Pyotr Ilyich Tchaikovsky, Composer
Esther Yoo, Violin Philharmonia Orchestra Pyotr Ilyich Tchaikovsky, Composer Vladimir Ashkenazy, Conductor |
Valse-scherzo |
Pyotr Ilyich Tchaikovsky, Composer
Esther Yoo, Violin Philharmonia Orchestra Pyotr Ilyich Tchaikovsky, Composer Vladimir Ashkenazy, Conductor |
Souvenir d'un lieu cher, Movement: No. 3, Mélodie in E flat |
Pyotr Ilyich Tchaikovsky, Composer
Esther Yoo, Violin Philharmonia Orchestra Pyotr Ilyich Tchaikovsky, Composer Vladimir Ashkenazy, Conductor |
Author: Mark Pullinger
Once again, Yoo is partnered by the Philharmonia and conducted by Vladimir Ashkenazy, a reassuring presence in Russian repertoire who doesn’t pull around tempos and dynamics as Daniel Barenboim does on Lisa Batiashvili’s otherwise excellent recording (also on DG). The first movement unfolds naturally and the cadenza is dispatched with panache, although Yoo’s playing doesn’t contain the exuberance of Ilya Kaler on a similarly programmed Naxos disc. Yoo maintains a sense of flow in the central Canzonetta, while the Allegro vivacissimo finale dances. In a booklet note, the violinist writes about her response to Tchaikovsky’s music and how it’s helped her in trying to overcome life’s challenges. Her interpretation of the concerto is still a little skin-deep but should plumb the emotional depths in time.
The rest of the disc is made up of concertante works. There are a couple of numbers from Swan Lake, including the Andante from No 5, frequently transposed to the ‘Black Swan’ pas de deux. By throwing in these ballet bonbons, however, there’s no room for the complete Souvenir d’un lieu cher, including the ‘Méditation’ which was the original slow movement to the concerto. This rather gives the edge to Kaler, if you’re looking for a disc of Tchaikovsky violin works; but Yoo’s expansive playing, though slower-breathed, is not without drama and makes this a most attractive disc.
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