TCHAIKOVSKY Eugene Onegin
Opolais stars in Treliński’s 2011 Onegin from Valencia
View record and artist detailsRecord and Artist Details
Composer or Director: Pyotr Ilyich Tchaikovsky
Genre:
Opera
Label: C Major
Magazine Review Date: 07/2013
Media Format: Digital Versatile Disc
Media Runtime: 150
Mastering:
DDD
Catalogue Number: 712408
Tracks:
Composition | Artist Credit |
---|---|
Eugene Onegin |
Pyotr Ilyich Tchaikovsky, Composer
Aldo Heo, Captain, Bass Artur Ruciński, Eugene Onegin, Baritone Cor de la Generalitat Valenciana Dmitry Korchak, Lensky, Tenor Emilio Sánchez, Triquet, Tenor Günther Groissböck, Prince Gremin, Bass Helene Schneiderman, Larina, Mezzo soprano Kristine Opolais, Tatyana, Soprano Lena Belkina, Olga, Contralto (Female alto) Margarita Nekrasova, undefined, Mezzo soprano Omer Meir Wellber, Conductor Orquestra de la Communitat, Valencia Pyotr Ilyich Tchaikovsky, Composer Simon Lim, Zaretsky, Bass Toni Navarrate, Guillot, Speaker |
Author:
It has to be said that the production as filmed here is not in great shape either musically or dramatically. The chorus dancing and movement are poor, some of their singing in the ‘Pelt him gaily with your fruit’ and Larina party choruses should have been retaken and Meir Wellber’s tendency to drag for emotional effect is not always appreciated by soloists and orchestra. Filipyevna, Zaretsky and Captain Petrovich look at the pit for leads an awful lot.
On the main stage, Opolais’s Tatyana is the stuff of dreams musically and acting-wise, Korchak’s Lensky and Groissböck’s Gremin most effective and Rucin´ski’s dark Onegin a handsome voice that sounds a size too small for the role in a big house (his acting ditto). Musically the production is based on the first, much chorus-reduced version that Tchaikovsky premiered at the Conservatory, so no peasants-gathering corn Act 1 chorus and dance, nor Act 3 Ecossaise. (All this is loss apart from the rather Brechtian recitative that preceeds the Gremins’ arrival at the Petersburg ball.)
Sound is good, filming effective, but the endless presence of over-the-top senior Onegin is quite a passion-killer. It’s unfortunate that this DVD appears so soon in the wake of the Kasper Holten’s Royal Opera production which makes such poetry out of Onegin and Tatyana looking back on their not-quite romance. Hopefully the reviews that greeted that production will not preclude a DVD release into a catalogue not overstocked with compelling filmed Onegins.
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